A Quote by Keith Maitland

I wanted to create an experiential film that was immersive... I wanted you to feel like you were there. — © Keith Maitland
I wanted to create an experiential film that was immersive... I wanted you to feel like you were there.
I wanted my children to never feel like they were unsafe. I wanted them to have everything they needed.
I was writing when I was very young, and then I became interested in everything - I wanted to do photography. I wanted to act. I wanted to write plays, and then I wanted to film and to paint, but I felt that film had a condition that reunites everything.
In our highly mediated, technologically driven world, we're all looking for meaningful ways to connect. This has constantly inspired me to create environments full of lively, immersive, experiential elements specifically crafted to foster human connection.
I wanted a new experience, to learn another language. I wanted to be different. I wanted people to realise I'm taking my coaching career very seriously. I wanted to create my own pathway.
I wanted a stable job, and I wanted to feel like I was grounded with my family and to have personal relationships in my life that were healing and honest and genuine.
I wanted a racially just society. I wanted to end wars. I wanted to end white supremacy. I wanted to create a world that was based on egalitarianism, sharing, racial justice.
I didn't make a film because I wanted a starring role. I made a film because I wanted to tell a story and I wanted to prove that I could direct.
Sometimes it seems the harder you try to hold onto something or someone the more it wants to get away. You feel like some kind of criminal for having felt, for having wanted. For having wanted to be wanted. It confuses you because you think that your feelings were wrong and it makes you feel so small because it’s so hard to keep it inside when you let it out and it doesn’t come back. You’re left so alone that you can’t explain.
I wanted an idea of the future, a new femininity. I wanted you to feel that you wouldn't quite know where these women were coming from and where they were going to.
I always wanted to do films. I'd gone to New York early in 1976 and did a lot of theater, but I really wanted to chase the paths of people like Pacino and Lemmon and those guys. Alan Arkin. Film was where I wanted to go.
I'm a film guy. I love it. When I read the screenplay, I knew that there would be no HD camera that could achieve the look that I wanted for this film. I wanted it to be dirty, and 16mm provides all of that with the look and the grain. That's what I worked for, and that's what I wanted, and that's how I'd seen the movie in my mind.
Well, obviously I wanted it to sound as original as possible. I suppose the influences that we had were probably from the actual power point of view we wanted to be like the Who. Vocally we wanted to be like the Beach Boys, whatever was good at the time.
I wanted the past to go away, I wanted to leave it, like another country; I wanted my life to close, and open like a hinge, like a wing, like the part of the song where it falls down over the rocks: an explosion, a discovery; I wanted to hurry into the work of my life; I wanted to know, whoever I was, I was alive for a little while.
I remember travelling up and down the road, and I kept journals during my whole career, and I was always making notes about things I wanted to say, words I wanted to create, actions I wanted to do, things I wanted to do to make the character more imaginative and fantastical.
I understand that it's a business, but I feel like good business would be wanting to make a player who performed at a high level on your team happy and want to feel like he wanted to be kept and feel like they wanted him to play here forever.
I wanted to be a musician. I wanted to be a superstar. I wanted to be on stage. I wanted to perform. I wanted to be in movies. But as you grow up, those dreams kind of fade away, and you're hit with reality, and you're like, 'Oh, not everyone can be Lil' Bow Wow?' Fine.
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