A Quote by Keith Preston

The great god Ra, whose shrine once covered acres, is filler now for crossword puzzle makers. — © Keith Preston
The great god Ra, whose shrine once covered acres, is filler now for crossword puzzle makers.
A good coach will come in ra, ra, ra and rejig the whole set-up. That might work for a year or 18 months but isn't sustainable. A great coach has the ability to get the best out of his players without the ra, ra, ra stuff.
There's this moment sometimes, when you do a crossword puzzle and you have the one really long word. And once you get that, the whole thing kind of comes into focus. Sometimes it's just working things over in your mind and then finding that one line that kind of ties the song together, and now it works. It's a puzzle of sorts.
You're never quite sure where the song is going, because you might not find the word to rhyme with the end of the line. You have to find associative meaning to get you there. So it's rather like doing a crossword puzzle backwards. A kind of strange, three-dimensional, abstract crossword puzzle.
There are only three great puzzles in the world, the puzzle of love, the puzzle of death, and, between each of these and part of both of them, the puzzle of God. God is the greatest puzzle of all.
Preachers are not sermon makers, but men makers and saint makers, and he only is well-trained for this business who has made himself a man and a saint. It is not great talents nor great learning nor great preachers that God needs, but men great in holiness, great in faith, great in love, great in fidelity, great for God - men always preaching by holy sermons in the pulpit, by holy lives out of it. These can mold a generation for God.
I love words. Sudoku I don't get into, I'm not into numbers that much, and there are people who are hooked on that. But crossword puzzles, I just can't - if I get a puppy and I paper train him and I put the - if all of a sudden I'd open the paper and there's a crossword puzzle - 'No, no, you can't go on that, honey. I'll take it.'
There might be a class of beings, human once, but now to humanity invisible, for whose scrutiny, and for whose refined appreciation of the beautiful, more especially than for our own, had been set in order by God the great landscape-garden of the whole earth.
There's more to Gujarati cinema than characters wearing kediya and ghagra choli and saying 'Aa ra ra ra.'
There is a beautiful expression of this in the Chandogya Upanishad: 'There is this City of Brahman, (that is the body), and in this city there is a shrine, and in that shrine there is a small lotus, and in that lotus there is a small space, (akasa). Now what exists within that small space, that is to be sought, that is to be understood.' This is the great discovery of the Upanishads, this inner shrine, this guha, or cave of the heart, where the inner meaning of life, of all human existence, is to be found.
It probably says something really clinically terrible about my character that I need to get up on a stage and go 'Ra ra ra' in front of people.
The nice thing about doing a crossword puzzle is, you know there is a solution.
I had a big 'New York Times' crossword puzzle phase.
I like doing the crossword puzzle in the New York Times, not watching E! on TV.
You know that thing where you're trying to do the crossword puzzle, and you're trying to fit the word that's in your head in the puzzle, and then you go 'Ugh!' and you walk away, and then it comes to you. I'm interested in that moment. The release of expectation, and the release of pleasing yourself and pleasing anybody. Breaking the mindset.
I love doing the 'New York Times' crossword puzzle, even on the days I can't finish it.
I've been working on 'The New York Times' crossword puzzle on the subway. I can make it until about Wednesday.
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