A Quote by Keith Richards

A painter's got a canvas. The writer's got reams of empty paper. A musician has silence. — © Keith Richards
A painter's got a canvas. The writer's got reams of empty paper. A musician has silence.
No one would want to pay a penny for an empty canvas by me. But it would be quite another if the empty canvas were signed by a great artist. I would be surprised if an empty canvas by Picasso or Matisse signed and inscribed with the words, 'I wanted to paint such and such on this canvas, but did not do so,' would not fetch thousands... After all, with an empty canvas, the possibilities are limitless, and so perhaps is the cash.
Few books today are forgivable. Black on canvas, silence on the screen, an empty white sheet of paper are perhaps feasible.
What's totally terrifying is that, unlike a musician who has a musical instrument, or a painter that's got a canvas and a brush, acting is us. Our energy, our soul, our spirits. And it's so hard because it's so vul­nerable. You're exposing everything.
I'm a very methodical writer. Before computers, I used reams of paper and stacks of index cards.
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘You can't do a thing’. The canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
To a musician or songwriter, your canvas is silence.
The playwright, along with any writer, composer, painter in this society, has got to have a terribly private view of his own value, of his own work. He's got to listen to his own voice primarily. He's got to watch out for fads, for what might be called the critical aesthetics.
I'm a painter. I'm still a painter and I will die a painter. Everything that I have developed has to do with extending visual principles off the canvas.
I think creativity is something that best happens when you have clear parameters. If you're not confined by anything then it's meaningless. You've got to rap over the beat, or you've got to color within your canvas. You pick the canvas size first. That makes most sense to me.
The camera was waiting for me by predestination and I took to it as a musician takes to the piano or a painter to canvas. I found that I was master of the elements, that I could work miracles.
A painter paints pictures on canvas. But musicians paint their pictures on silence.
There will be, and should be, reams and reams of analysis, even praise, for our friend but also even larger measures of non-analysis and, certainly, condemnation for James Baldwin, the Negro writer.
Every record, you've got more experiences to draw on as a writer and a musician.
A painter paints, a musician plays, a writer writes - but a movie actor waits.
My father was a psychiatrist and a social worker but he was a very talented painter and musician and writer on the side.
I'm Larry Sanders. I'm a person. I'm a father. I'm an artist. I'm a writer. I'm a painter. I'm a musician. And sometimes I play basketball.
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