A Quote by Keith Richards
I wouldn't warm to [Chuck Berry] even if I was cremated next to him.
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We would not have rock and roll without Chuck Berry, and when I first heard Chuck Berry, I fell in love with that music, and when I saw him, I changed my whole career trajectory that I was on as a kid.
This is no condemnation of Chuck Berry, who I greatly admire. But Chuck Berry's music will not translate as well to orchestration because of its very three-chord rock 'n' roll nature. It is the music of the artists that are more pretentious, pompous or closer to the kind of big dramatic stylings that orchestras are good with.
Those original, black, spirited, defiant, rebellious musical masters. Chuck Berry was one of the first masters of Les Paul's new electric guitar; he pretty much laid down the gauntlet, and I don't think anybody's ever beat him since. Way before the British Invasion, I was tuned into the black guys that created the British Invasion. Without Howlin' Wolf, Muddy Waters, Robert Johnson, Lightnin' Hopkins, Bo Diddley, Chuck Berry and the Motown hits, there would be no Beatles.
There would be no Rock and Roll without Ike Turner, James Brown, Chuck Berry, Fats Domino, Allen Toussaint, etc. Fake ghetto books and fake ghetto music. Elvis Presley, whom they idol, is merely a karaoke makeover of James Brown and Chuck Berry.
Chuck Berry told me if it wasn't for Louis Jordan, he wouldn't have probably ever even got into music. That Louis Jordan changed everything and made him want to become a musician.
I said if you want to be Keith Richards, you've got to listen to Bo Diddley and Chuck Berry. Then I thought, "What did Bo Diddley and Chuck Berry listen to?" I said, "They listened to Howlin' Wolf and Muddy Waters." Well who'd they listen to? They listened to Robert Johnson. I said, "Ok, we'll start with that."
Berry's On Top is probably my favorite record of all time; it defines rock and roll. A lot of people have done Chuck Berry songs, but to get that feel is really hard. It's the rock and roll thing-the push-pull and the rhythm of it.
When Chuck Berry came along, what he did was more rock & roll than it was blues. It was more exciting. He was like the next step. I thought his first single, 'Maybellene,' was the greatest song in the world.
You could put Jerry Lee Lewis, Little Richard, Chuck Berry and Bo Diddley on one side of the stage, and James Brown on the other, and you wouldn't even notice the others were there!
NASA even sent Chuck Berry's music on a space probe searching for intelligent life in outer space. Well, now, if they're out there, they're duck walking
I think the world of Chuck Berry.
Chuck Berry doesn't give interviews.
When I started, all I wanted to do was play like Chuck (Berry)
You didn't know whether Chuck Berry was black or white - it was not a concern.
As a kid, I loved any guitarists, whether it was Elvis Presley, Lonnie Donegan, Chuck Berry or even the cowboy guitarists like Gene Autry and Roy Rogers. The image of the guitar appealed to me.
Creating a dance is like coming up with a Chuck Berry riff.
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