A Quote by Keith Urban

I'm grateful when anybody can start to have his or her limited perception of the genre open up a little bit. There's a lot of great music in the country genre that doesn't get heard because people say, 'Well, I don't like country.'
I genre-hop quite a lot. I love manipulating genre and deconstructing it and making it irrelevant. Genreless music is great because it means you get to write in any genre that you like.
I'm thrilled that country music fans like my stuff, but so do a lot of people outside of country music, people who just love music. My goal is more to reach music lovers than to appeal to a genre. I love country music, and I'm proud to represent it, but I don't obsess over it as a category.
I definitely see the genre opening up a lot more. I don't know if black people don't want to get into country music or what, but I feel like we're breaking down barriers.
I don't really think there's a genre that we couldn't do, but it wouldn't sound like that genre, if that makes sense. I think we could take any song, but it would sound like us. If you're doing a country song, it could maybe sound a little bit country, but it's going to sound like Pentatonix.
A lot of times, people ask us about being a country band, and we say, 'Well, we're not really a country band.' And we're not knocking country, because we like it, but we don't want to be limited.
I really tried to push every genre that I could into this record. I wanted every song to have this feel, where as soon as the listener tunes in, they say "That's CoJo, that's Cody right there." That being said, it is a little different. There's Americana, there's Bluegrass, there's some rock, there's some really George Jones-style stuff on it, slow-style Ray Price country elements, there's some modern country, a little of this and a little of that. We tried to push a lot for show versatility, because I grew up with a lot of versatility in my music.
I have so much respect for the genre of country music and for all the greats that have been a part of it. I'm a country singer, I'm a country fan, and I'm a student of country music.
I'm a hybrid-genre person, which a lot of people find confusing. I grew up listening to American country music and rock n' roll made between 1955 and 1959. The Everly Brothers and Chuck Berry were my first musical loves and are still what I am most moved by. Roy Orbison came a little bit later.
My brother is a screenwriter. He likes to say, 'I like to take on a genre when it's dying, because then people are ready for you to shake it up a little bit.'
Music is a huge part of my life, I enjoy every genre of music from jazz to country, and I even get down with a bit of hip hop.
Obviously, I love country music, so I wanna be able to live in the country music genre and then play to country music fans.
I think it's pretty stupid to write off an entire genre of anything. It's one thing to say 'I don't like country music.' But it's pretty narrow minded to say 'All country music sucks.' Of course, that being said, all short-form improv sucks.
What I like is not a particular genre, it's storytelling. There's a lot of great storytelling in jazz, and in folk and in country music.
Our whole mission is about breaking the rules. Cibo Matto doesn't fit into any one genre and when people ask about what kind of genre is it, it's hard to say. We try to do a lot of stuff. People like to categorize, basically. So we always have trouble giving an answer. Pop music has a lot of different elements of music. Even polka too.
We have a history in country music of writing about the darker side of things - maybe not as much in modern times, but there's a lot of cheating and self-deprecation. We sort it out in song, in country music, as a genre.
The problem in this country is people gravitate toward one genre, and that's what they embrace. I don't understand that. If you hit me with Bell Biv Devoe meets country, well, I like the sound of that concept.
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