A Quote by Keith Urban

Country seems to be finding a bigger audience. Certainly an audience out of the general country scene is finding me. — © Keith Urban
Country seems to be finding a bigger audience. Certainly an audience out of the general country scene is finding me.
I still have a pretty lively audience in German and across Europe. And I continue to say, 'Thank you, God,' for making me smart enough to avoid getting hit by trucks and going out and finding myself an audience abroad. Which includes Asia - from Jakarta to Japan. Working hard at finding an audience abroad.
In fact, I think more broadly about what an audience requires, but I want an audience to be fascinated by the process of finding an answer, or finding out there isn't one.
There is always an audience for different individuals, but critics sometimes stop the audience finding the show and the show finding the audience.
To me, mass media is when you are able to use a platform to reach an audience on a large, global scale, and I think YouTube has certainly achieved that and is still finding ways to bring a wider range of content to its audience.
It's a lot of fun finding a country that nobody knows about. The only thing better is finding a country everybody's bullish on and shorting it.
I'm not a network executive, but it seems to be a time when networks take more of a gamble with higher-concept shows. And so, it's fun to be on something that's original, that's finding viewership, that's finding a great audience, and really distinguishing itself. Summer's a great place to do that.
For me, the audience is the most important thing in the whole chain, so finding out how they respond to things is a learning curve at all times.
I want to attack and to lead my life with vigor, but I'm in the watching stage at the moment. Younger actors feel pressure to bring a pop to every scene; as the roles get bigger, I'm finding you can add layers and do less scene-to-scene.
Don't forget there are two sides to performing. Finding the truth, but you also have to be transparent enough for the audience to see it. How many times have you seen a performance and thought: 'Well, it seems to be meaning a great deal to you but it ain't coming across to me?' It is to be shared.
Giving it to the audience is probably the easiest thing. Finding out what they truly want is probably the most difficult.
Everything has become so pop-rock oriented that finding a role for a soprano, and finding an audience for a soprano, is tricky. Unless you're dealing with a revival, which is why I do so many revivals - because my specific tone and vocal quality lends itself to that type of writing.
There's a tremendous audience out there for popular music. It's a bigger audience than for movies.
A lot of people, musically anyway, have realized that they can do it, and there's an audience for it at least in their own country, and often thought a lot of countries have a diaspora that breaks out all over the place, so they have a pretty wide audience.
Finding the fine line between satisfying a daytime TV audience and an afternoon radio audience. That involved editing down my delivery to under an hour. I've been blessed to have great producers and a great staff to achieve that. I have a small team but they're very efficient.
In anything really, it's finding the reality. You can't be 'real,' but you can create a reality. And that created reality is what the audience believes in. And that's essential. Because if the audience doesn't believe that, they're never going to trust you. And if they don't trust you, you can't lead them up the mountain.
I am all for art's finding a large audience. But the way that's happening now, with big works filling big galleries and bigger shows, is mostly stopping statements from being made. Or heard. Or talked about. Or really examined. It's watering things down.
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