A Quote by Keith Urban
The records in the house I really remember were, well, Glen Campbell's 'Wichita Lineman' and 'Galveston.' Even as a kid, I knew these songs were glorious. My dad also had records by Merle Haggard, Charley Pride, Waylon Jennings, and then there was also the Eagles and Don Henley. Anything Texas, which includes Don Henley, was big.
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All my records - 'By the Time I Get to Phoenix,' 'Wichita Lineman,' 'Galveston,' 'Rhinestone Cowboy,' 'Dreams of the Everyday Housewife' - they all had strings on them.
I had always loved music. I grew up listening to classic country, Waylon Jennings, Merle Haggard. My dad loved Vern Gosdin and Keith Whitley. So I kept going to class and started getting totally into playing guitar and teaching myself these songs.
Merle Haggard once said, 'I'm really mad at Glen Campbell because he's the most talented human being in the world.' That kind of summed it up. Merle didn't miss!
My dad was a huge country music fan, but he also had a band and he sang. So he'd listen to a lot of music and the songs that he'd learn for the band were more from the male artists. So my earliest country memories were Waylon Jennings, Conway Twitty, George Jones, Johnny Paycheck even.
When you listen to radio and hear the same 20 or 25 songs, you start hunting down your CD's. Waylon Jennings' records were always around to listen to.
When we were writing songs for the Eagles, Don Henley would be involved in some new love relationship, and he was always excited about them. But we were all waiting for the day that they would break up.
Mike Campbell and Don Henley and I wrote 'The Heart of the Matter,' which was a huge hit for Don.
I've always loved records, even when I was a kid, my parents would buy me records instead of a lot of the other toys kids got. That's what I wanted. I've been collecting records and DJing my whole life, and I thank my parents for that. They had a big record collection and really imparted the magic of it on me.
We listened [with my mother] to [Frank] Sinatra and Glen Campbell and we had some Beatles records that I liked. This was in the '70s.
I did recording sessions as a musician as well as a background vocalist and enjoyed every minute of it. I remember singing harmony with Waylon Jennings on a few songs that were hits. Chet Atkins always put me up so high that I strained to hit every note. It was a lot of fun.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
I remember back in 1994 when the Eagles charged more than $100 for tickets. They said, 'We ain't Pearl Jam.' That's back when records were selling and the Eagles had sold just about as many as anyone on the planet. And years later we're still charging less than them.
I remember when 'Aladdin' had come to India, there were a bunch of people who auditioned. We had to record a video, which I did on my phone. I had worn this red outfit and had to read the dialogues for Jasmine. The scene went really well, but then they also asked us to sing and I can't sing to even save my life. So I really got rejected.
When I was a kid, when I was 16, 17, I'd come home from high school, and my dad collected all of Barbra Streisand's records. And she was very young then. I think she probably had three records out, and she was 21, and we had them all. And I knew every single song, every breath, every elision, every swell. And I sang along to it.
So yeah, when I was a kid, when I was 16, 17, I'd come home from high school, and my dad collected all of Barbra Streisand's records. And she was very young then. I think she probably had three records out, and she was 21, and we had them all. And I knew every single song, every breath, every elision, every swell. And I sang along to it.
I also don't like to make really big records, because I feel then that the songs don't get enough space to be themselves, so I would never want to make a record that's like seventeen songs.
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