Shortly after I started in bluegrass, Ricky Skaggs and I got together and the bluegrass career just snowballed. Being 15 or 16 and making good money playing music was pretty attractive.
A lot of great bluegrass comes out of Kentucky. There's a lot of great music, like the Judds, Billy Ray Cyrus, Ricky Skaggs, and Keith Whitley. There's a lot of bluegrass intertwined with country music.
I got to sing with Placido Domingo... I got to sing with Aaron Neville, who is one of my favorites. Got to sing with Brian Wilson, one of the great high tenors. And Ricky Skaggs, a bluegrass tenor. I'm also proud of my musical friendship with Emmylou Harris.
You may not hear much bluegrass on the surface of my music, but I feel the emotion I put in a song comes from bluegrass. Bluegrass taught me to interpret a song, not just sing it.
The music has to come from bluegrass first. We always said back in the 70s that if you want to play newgrass you have to go through the school of bluegrass. You know, maybe Jack Black can make a movie now called School of Bluegrass . That would be cool.
I went on tour with Ricky Skaggs and his wife, Sharon White, and the White Family in 2015. It was fantastic. They're all the greatest singers of that country stuff, traditional country up into bluegrass.
It doesn't matter if you stick the name 'bluegrass' on it. I think people call things bluegrass that I wouldn't necessarily call bluegrass, but what they're calling country music today I'm not sure that I would call country music. But I love music and I try to encourage people.
I knew I loved playing bluegrass, so I'd end up down there on Sunday nights at the bluegrass jam.
I'm influenced by Django Reinhardt, Stephane Grappelly, Roland Kirk, John Coltrane, B.B. King, and then by bluegrass. But when I was 16, bluegrass wasn't cool. We was rock n' rollers then: Chuck Berry, Jerry Lee Lewis.
I was always into bluegrass as a kid. Basically, I like music that has a basic simple structure and that has a lot of emotion and feel. Bluegrass and other old time music fits the bill, as well as what became punk - they both kind of have a similar framework.
I was like, 'Man, bluegrass - that's like Roy Clark playing banjo on 'Hee Haw.' I'm a huge 'Hee Haw' fan. But I didn't know about bluegrass. It seemed like old people's music.
There was a band in San Diego, Bluegrass Etc, that played a weekly gig. My parents would take my brother and me every Saturday night for 7 or 8 years. Sean and I started taking lessons with them and they gave us a great foundation in bluegrass instrumentation. They were the lens through which I saw music for a very long time.
I started playing bluegrass with my family, so there were the G, C and D chords. I was playing a Martin acoustic because that's what Carter Stanley of the Stanley Brothers played. Then I got into the really raw blues of Hound Dog Taylor and started on electric guitar.
It's true that bluegrass is a virtuosic form and asks that of its performer. Old-time music is older rawer and purer. It's less stylized. We don't solo. Well sometimes we do, but it's different it has more to do with rock-and-roll than bluegrass does.
In order to understand the history of the banjo, and the history of bluegrass music, we need to move beyond the narrative we've inherited, beyond generalizations that bluegrass is mostly derived from a Scotch-Irish tradition with influences from Africa. It is actually a complex Creole music that comes from multiple cultures.
No I don't play bluegrass harmonica or anything like that. I don't listen to country or bluegrass records.
If you listen to all of my records, they all have a little part of me. So there's a part of me that's very bluegrass-y, and incredibly country, because I grew up on a farm in Missouri - I grew up singing country music. I started in bluegrass - but then there's also so many other sides of me - really pop.