A Quote by Keith Whitley

We had sold a lot of copies of the 'Miami' album without being racked by some of the big distributors. — © Keith Whitley
We had sold a lot of copies of the 'Miami' album without being racked by some of the big distributors.
Our first album sold a million copies. Because we had such a big hit on the first album, it's always like, 'You can't top the first album.'
I remember thinking: 'Why is Jim's face so big?' on the cover of our first album, 'The Doors.' Probably because it wouldn't have sold a lot of copies if it were my face!
We sold 1.5 million copies of the 'Abracadabra' album and 26,000 copies of 'Italian X-Rays.'
It's a blessing and a curse when your first big public album does so well. 'Twentysomething' sold four million copies - I think we were hoping to sell 80,000. And it's still selling. In some ways, you'll always be defined by that.
The 'Frampton' album sold better than all of the other solo records that I'd had, put together. It was over 300,000 copies, so that was a good signal that we were poised for my first gold record.
I love playing Rick Ross' 'Port of Miami' album. Jeezy's 'Thug Motivation 101' is a classic in my opinion, and I still listen to that album to this day. I'm a big fan of OutKast, so pretty much any album they put out is great in my opinion, but I find myself listening to 'Aquemini' a lot. Anything Kendrick Lamar does is great.
My biggest frustration is the lack of scale in the music industry. The fact that no one has sold 100 million copies of an album is frustrating.
The first Velvet Underground album only sold 10,000 copies, but everyone who bought it formed a band
Before MTV, if you put out an album that sold 50,000 copies, your band could afford not to have day jobs for a while. That meant you could stick around, put out another album or two. Maybe it would be the second or third album where you'd make the statement you'd been trying to make all along.
I played some shows, but I'm disappointed it didn't do better. I wish all my shows sold out, I wish I had sold more copies, I wish that a song was picked up to be in a TV show - whatever these little benchmarks are. You always want something more.
'If I Can Dream' is my all-time favorite Elvis song. It was a big record, but not as big as it could have been. It was one of those records where you'd think it sold 10 billion copies, but it didn't.
I didn't have huge expectations for 'Frampton Comes Alive!' My previous album, 'Frampton,' had sold about 300,000 copies - a decent amount but not mind-blowing. There was talk at the label that maybe the live record could go gold. I was hoping we could do it, but I wasn't sure.
Raoul' sold a respectable 700,000 copies without a hit single. It didn't take off. If you don't sell 8 million albums or 4 million albums again, everybody deems it a big failure.
One of the first records I bought for myself was a Keith Whitley record. I still love the 'L.A. to Miami' album. There were so many things on there - 'Miami, My Amy,' 'Ten Feet Away,' 'Nobody in His Right Mind Would've Left Her.' I can put that album on repeat and listen.
Guys like Todd Bridges never overcame being a child star. You can't have any big failures. I've always felt regular. I played organized ball at the rec league. At 13, they told me I sold 3 million copies. I didn't know what that meant.
I sometimes think 'Gordon' must be the most bootlegged album in U.S history, since it sold only 200,000 copies in the country, yet 800,000 kids know the words to every song.
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