A Quote by Keiynan Lonsdale
In terms of being Australian, I think a big part of it is the determination to prove yourself, just like Aussie actors.
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I think it’s because there's quite a few of us now but because we’re less frequent than American actors - because Hollywood is the place to be for actors - and there's just a big rush when an Australian comes over just because there's less of them. I guess that's just how it is. Like if you pick a pink jellybean out of a jar of green ones it’d be amazing, but if you pick a green one, no one will care.
Can you imagine what it would be like if all the Aussie film talent was able to make Australian stories?
I hear actors complain about being stereotyped, and a lot of the time, you have yourself to blame. Just don't take the part if you feel like it's a stereotypical part for you. You have control over your life. We don't have the old studio system, where you have to do what they tell you.
Being the actors of the craft, the trade, one of the big things you do and you learn is about repeating. There is something to the repeats. I think that is part of what is healthy to young actors. Get out and learn something just through doing that, repeating.
I'm not one to get a big ego - I think it's an Aussie thing, I just laugh.
Hollywood is the place to be for actors - and there's just a big rush when an Australian comes over just because there's less of them. I guess that's just how it is. Like if you pick a pink jellybean out of a jar of green ones it'd be amazing, but if you pick a green one, no one will care.
They're strange, the Aussies. Because if they like you, they say, 'Oh, he's an Aussie.' And I keep saying, 'I'm not, I'm from Preston.' There's nothing Australian about me. Don't start claiming me just because I've got a job over here.
I feel like we're in a truly revolutionary period, not just in terms of practical activities to overthrow regimes in the Middle East or Occupy but also in terms of radical redefinitions. I feel like workers are a big part of it, but there's so much more going on.
I think the actual art of expressing yourself is a very important part of being human. And an important part of being a performer is understanding what it's like to create yourself.
I think the success of every novel - if it's a novel of action - depends on the high spots. The thing to do is to say to yourself, 'Which are my big scenes?' and then get every drop of juice out of them. The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through?
Television is a completely different industry now. It's just extraordinary. It's so wonderful, because there's more interesting product. It attracts the best writers and directors. And one thing that's really interesting about it is that it used to be, if you were on a big network show, like it or not, you were a household face and name. And believe it or not, not all actors like that. That's not their goal. They just like being actors. And there are so many actors that are on hit shows that I have never seen, I've never heard.
We are always going to be influenced by America... I watched the word 'bum' go out and 'butt' come in. And part of me says, oh that's a shame, but Aussie boys are still Aussie boys.
You always feel like you've got something to prove, whether it be to yourself or somebody else. I can think of plenty of people along the way telling me I'll be nothing, working at McDonald's, doing things like that. The whole time, you're just trying to prove them wrong.
I don't have anything to prove ever, ever in my life. If I have something to prove, what does that mean for everyone else? And I think everyone should have that attitude. You just have to prove to yourself that you can go out there and be the best that you can be and not prove anything to anyone.
We are all from different cultures. Heath's [Ledger] Australian, really. I'm from here. Ang's [Lee] from China. But I think Ang gets very close in preproduction and rehearsals. And then he allows his actors - I don't think scared of actors, but I think he's scared of getting in on the scenes he's watching. The space he's watching. So he just totally disconnects from you while you're shooting.
I think the record-buying public know what they like, and when people are trying to pander to them, I think they know it. They want the genuine article, so if we try to sort of "dumb down" for the mass public, I think they're too smart for that, and would recognize us as fakes. It seems like the bands that do crossover do so really on their own terms, and they just find that their terms just kind of make a big dove-tail with the masses.
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