A Quote by Keiynan Lonsdale

I started writing when I was, like, eleven. We couldn't afford private lessons, so I had to teach myself how to sing through recording songs on GarageBand. — © Keiynan Lonsdale
I started writing when I was, like, eleven. We couldn't afford private lessons, so I had to teach myself how to sing through recording songs on GarageBand.
I had a fascination with the roots of African American music. That would have been my first education in music. I had a real passion for it. I wanted to play it, sing it. I could sing at a young age, but I started to teach myself bass guitar and started writing when I was 15.
I started training with singing and dance lessons at the same time. Also, I was taking Japanese lessons too, when I was eleven or twelve. After school, I went to the recording studio.
Well, I had this little notion - I started writing when I was eleven, writing poetry. I was passionately addicted to it; it was my great refuge through adolescence.
I started singing when I was a teenager. I always wanted to write songs; I just didn't understand how someone could sing without writing their own songs.
I started listening to The-Dream a lot. That's when I really got into writing songs. I like the way he put lyrics and makes his songs. So I was like, 'All right,' and I just started writing. That's when I started wanting to be a songwriter.
I started writing rather late in the game. I was fascinated about the story about how Bob Dylan, for 'Nashville Skyline,' wrote between takes. So I'd try to sing new songs off the top of my head. I had rather less than spectacular success on that. But a lot of my songs were done that way.
I started out as a poet who primarily wanted to write about image and moment. Over the years I've been trying to teach myself how to do plot and scene. My first story collection had the most issues with the plotlessness, and when I was writing my second collection I was teaching myself how to make things happen.
When I first started writing songs, I never intended on singing. I didn't really consider myself a singer at all. I was just kind of recording the demo vocals as a holding place until someone else came and sang.
When I started off in music, I started with a real innocence, a real love for the instrument, the writing the songs, the playing the songs and the sharing and the recording and experimenting. It was exciting. Then, this thing called success came, and something happened at some point where I became disenchanted, and I lost the innocence.
I did take guitar lessons as a teenager, though, and I started to teach myself how to play everything I could play on the guitar on piano, so I had a really weird, non-traditional route to proficiency. I think it probably helped me come at things from a new angle.
To me, there are 3 parts of the album process: writing, recording, and my favorite part: getting to sing the songs with the fans every night.
Actually, my first group was a folkloric group, an Argentine folkloric group when I was 10. By the time I was 11 or 12 I started writing songs in English. And then after a while of writing these songs in English it came to me that there was no reason for me to sing in English because I lived in Argentina and also there was something important [about Spanish], so I started writing in Spanish.
I also started writing songs because I had this burning activity in my heart and had to express myself.
Well, I started writing songs about three years ago when I learned to play the guitar, but I've been singing since I was eleven.
By the time I was six or seven-years-old, I had learned several techniques of how to use my voice and was able to choose the sound I wanted to distinguish myself, so I started writing songs on the piano.
I'm in total control. I write the songs, decide what to sing and how to sing. I even control the recording process. But, with a film, there is no control at all.
This site uses cookies to ensure you get the best experience. More info...
Got it!