A Quote by Kekla Magoon
We need heroes of color in all different genres. It's also valuable for white readers to be able to meet people in books that are different than themselves. That can be a way of expanding their minds and experiences.
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It's really interesting to just look at the career of a musician and a producer that went into many different genres and many different styles and many different places but always breaking the barriers between genres and at some point reinventing himself all along the way but also inventing things at the same time.
By looking upon themselves as human beings, their whiteness to them isn't the yardstick of perfection or honor or anything else. And, therefore, this creates within them an attitude that is different from the attitude of the white that you meet here in America, and it was in Mecca that I realized that white is actually an attitude more so than it's a color.
I have to say I've been lucky in that way in that I've been able to go from different films and different genres with different challenges.
Children of color need a mirror to see themselves in. And then people who don't have that experience, they need a window. They need a really personalized way to see what people who are different from them are going through.
I've been able to have broad kind of education and all sorts of different music and a lot of kind of films and also different styles and genres. And so, all of these things have influenced me along the way and I take a little bit from everything I do. I've been lucky to work with a lot of great people and learn from them.
My experience may be different than theirs, readers can identify with trying to save for retirement or their own kid's college fund. In truth, the name of the column, "The Color of Money," has less to do with my race than the fact that the color of money is green and it's green we all need to live a good life.
I've been really fortunate to be able to do different kinds of films in different scales, different genres, different kinds of roles, and that is important to me.
Teenage readers also have a different relationship with the authors whose work they value than adult readers do. I loved Toni Morrison, but I don't have any desire to follow her on Twitter. I just want to read her books.
It's very white in Guernsey, not racist, but there's not a lot of understanding about different cultures there. So I grew up there then moved to Brighton and found all these other people with different experiences, different narratives.
I was one of the only people of color at my grade school and also my high school. It's weird recollecting on my childhood, I think, because my brothers are all white. We all share the same father but different mothers. I guess I kind of associated white, but I was occasionally reminded in a really negative way that I wasn't.
I want to say that I really appreciate that readers are willing to work with my tendency to write in several different genres and for different age groups.
We all become different readers in how we respond to books, why we need them, what we take from them. We become different in the questions that arise as we read, in the answers that we find, in the degree of satisfaction or unease we feel with those answers...In the hands of a different reader, the same story can be a different story.
When you surround yourself with white people, you continue to hire white people, and when you make an effort to hire people of color, that does bring in different stories and different people.
For me, something that's been always really important to me, that's also really served me well in hindsight, is doing different things, trying to cross different genres, and dipping my toes into comedy and drama and action here and there. Fortunately, as I've been working, the industry has also changed where you're able to dip your toes into different mediums, where it's not just independent film and studio film, but now you've got TV, and you're able to do all these different things. For me, it's just a matter of continually pushing myself and challenging myself.
Everyone experiences different parts of themselves at different times, these different parts of themselves that come out in different settings.
You know, you have to do homework. You listen to who they are, what they do. I also compare it to designing clothes for people. If somebody brings in Tilda Swinton, you're not going to give her the same dress you'd give Gabourey Sidibe. Everybody looks different in a different line, a different color. The same thing with the way people speak.
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