A Quote by Kel Mitchell

Mystery Men you can take grandma, you can take everyone to see this film. — © Kel Mitchell
Mystery Men you can take grandma, you can take everyone to see this film.
Now I realize that I have to let everyone take what they have to take from the film. No matter what I think about the film, it becomes a little irrelevant. I think I would say that the film is trying to show us that - and I spoke about that earlier - we have to let the teachers invest in their own classroom. There's no use in trying to control everything. Education is fundamental.
I think when you take off that jacket and they see that ‘I LOVE GRANDMA’ T-shirt, they’re going to rip your heart out.
Well, the studios don't really want to take those risks right off the bat. They'll take the risk after they've seen the finished product and say oh yeah we want that. This is a great film but they are hesitant to take the risk when you just see it on paper.
The notion that before you even set out to go to Thailand, you say, 'I'm not interested,' or you're unwilling to try things that people take so personally and are so proud of and so generous with, I don't understand that, and I think it's rude. You're at Grandma's house, you eat what Grandma serves you.
To get the film in your head on the screen, first you have to take it out of your head and explain it to everyone who is working with you. This will take work and planning.
Sometimes I take the watch, or I take the shoes, but usually the souvenir is to take the life you had with those directors, or the crew - the camera person, the lighting person. When you finish a film it's like a little death. You had a family for a bit, and you finish the movie and you probably will never see each other again.
People say that if you talk too much about sex, you take away the mystery. I say, if you're somebody who likes to talk, talk all you want - it's not listening. You will never take away the mystery.
Now this is a mystery to a carnal heart. They can see no such thing; perhaps they think God loves them when he prospers them and makes them rich, but they think God loves them not when he afflicts them. That is a mystery, but grace instructs men in that mystery, grace enables men to see love in the very frown of God's face, and so come to receive contentment.
When I take up a film, I always think of the effect it will have on my children when they see the film years later.
It is more than their land that you take away from the people, whose native land you take. It is their past as well, their roots and their identity. If you take away the things that they have been used to see and will be expecting to see, you may, in a way, as well take their eyes.
I think there's nothing worse than telling actors what to do in front of everyone, because then on the next take, everyone's waiting to see if you do that ... Everyone watches. It's just the worst thing.
I have a black Grandma and white Grandma. My white Grandma lives in Fort Lauderdale, paints, and teaches bridge. She's wonderful. My black Grandma, equally wonderful, is my neighbor across the street, Bobbie, who's always insisted that I call her Grandma, and honestly, over the years she's become a real Grandma to me.
Men in general judge more by the sense of sight than by the sense of touch, because everyone can see but few can test by feeling. Everyone sees what you seem to be, few know what you really are; and those few do not dare take a stand against the general opinion.
That everyone won't see it, that everyone won't join you, that everyone won't have the vision... it's necessary to know that... See I wanted everyone to like me, I wanted to be perfect the first time around. IT'S NOT GONNA HAPPEN. You're gonna make some mistakes, you are gonna create some enemies whenever you decide to take on the world and go after you passion.
As a mother I think you often get so caught up in trying to take care of everyone else that you forget to take care of yourself. But I'm a much better wife and mother when I take the time to take care of myself.
I think it's like the '60s - we're going to see another revolution in film where these new filmmakers stand up and take ownership of what film is and mould it into what they want.
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