A Quote by Kel Mitchell

I'm doing music, and we both want to do some drama. — © Kel Mitchell
I'm doing music, and we both want to do some drama.
Doing drama is a very welcome departure from comedy. Although I love doing both, I like to change it up a bit once in a while with roles in serious drama.
I enjoy doing drama, and I enjoy doing comedy equally. They're both amazing to me, and it's such an honor to be recognized for both genres, and to have the opportunity to work on shows of such great caliber in both genres. So, you know, it's easy to do both.
I really like people who can do both drama and comedy and not some like middle of the road do both drama and comedy. I'm not talking about some guy who does these bland dramedies all the time. I'm talking about people that have done heavy drama and who have done heavy comedy.
Drama is hate. Drama is pushing your pain onto others. Drama is destruction. Some take pleasure in creating drama while others make excuses to stay stuck in drama. I choose not to step into a web of drama that I can't get out of.
I enjoy doing both comedy and drama, as long as I'm not doing something continuously.
There is some brilliant pop music and some very poor classical music. And why shouldn't comedy be treated as seriously as drama?
Whatever you do, whether you're doing a television drama or a romantic comedy, you want to be relevant, to some degree.
I wanted to become an actor. I went to Guildhall School of Music and Drama, which is one of the main drama schools in London where you go when you are older. But I was doing the junior one when I was a kid. And some friends there had agents. I was fourteen and I was like, "I want an agent! It sounds awesome!" I had no idea what that was. I thought those guys looked like men in black. They were hanging around in suits all the time. So I luckily got a very good agent in London and started auditioning. And then when I was 16, I got my first film and I've been working ever since.
I'm a born music lover and want to sing for all music composers as well but due to some false impression many makers feel that I prefer to make my own music and sing, though I'm equally comfortable in both.
I was quite frustrated by school and found solace in going to the drama studio, doing stupid voices, and being an idiot. I then went to Guildhall School of Music and Drama and signed with a great agent in my third year.
Music is changing. I'm just doing what I'm doing, and hopefully in the next 20, 30 years, some kids can take what I'm doing and change it again. If the music doesn't move, then it's dead.
Obviously I want my music on the radio and I want my record to do well, but I also have a totally different career, so a lot of people who are in music are just in music and can dedicate all their time to that and I can't do that, so I really want to have both things and I'm just trying to figure out how.
I don't like to eat in movies. I don't like props. Some people have always got to have a thing and they're doing this or doing that. I hate it. I just want to talk or fight. Or both!
I'm touched by the Beatles. I want some of the music I do to reflect that. Here I am. I love Sly Stone and James Brown and Stevie Wonder, and I want my music to reflect some of that. Here I am. I'm touched by Jon Hendricks. I want some of my music to reflect that. And when I write, you're going to hear it.
There are musicians who want to make a living making music. There are listeners who want to listen to music. Complicating this relationship is a whole bunch of history: some of the music I want to listen to was made a while ago in a different economy. Some of the models of making a living making music are no longer valid but persist.
At some point in time, you definitely have to go drama. Not to say that you're going drama just because everybody else does it. You do it to challenge yourself. You do it because, naturally, in the profession of acting, you want to show growth. You want to say that you take the craft seriously.
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