A Quote by Kelela

I'm pushing back against the white, misogynistic, heterosexual establishment in the music industry. Like, literally, in all its forms. — © Kelela
I'm pushing back against the white, misogynistic, heterosexual establishment in the music industry. Like, literally, in all its forms.
I see myself as a person who is pushing back and fighting against oppression in all its forms, centering racial and economic injustice very explicitly.
I feel that homophobia runs rampant in the music industry, and that artists are allowed to speak openly in a hateful way, in a homophobic way, in a misogynistic way, and the press does not challenge them. And I'm going to be taking a very strong stance against that, and I am an artist who refuses to accept that behavior.
The 'White Establishment' never liked me. I have worked for 'White Establishment' newspapers and television networks.
If you imagine b, d, p, and q, those are letter forms that all the children always mess up. They are mirror forms of one another. That feature is emphasized in a font like Arial, where the shapes are literally mirror forms.
I think telling stories is like pushing something. Pushing against uncreation itself, maybe.
You have the establishment and then you have the hippies revolting against the establishment, and what you end up getting are like accountants with long hair. And that's kind of what happened with the youth movement in the '70s.
The Pre-Raphaelites, while very bothered by what the establishment thought of them, also utterly rebelled against it. In everything - social, sexual, emotional - they were out on a limb, pushing the boundaries.
I'm proud to be white. I don't have anything against my color. But I don't think color matters, either. Just like I feel it doesn't matter that I'm a white dude doin' black music.
I think of music a lot when I paint. The theme of it to a degree is music. So instead of literally putting in music or literally putting in a musical instrument, I use only a hint of the instrument, but the brocaded pattern is like a line of Bach because of its order and the leaves going up are like passages from Vivaldi, and the emphasis on drapery is where the sound comes.
The music of the westerner comes from Africa, whether they like it or not. The majority of the instruments of the music, of the pop music, rock and roll, or R&B, hip hop, whatever it is, their roots trace back to Africa. So if you are black, white, yellow, or red, whatever you do, it doesn't matter, because your DNA is back in Africa.
I put all of my resources into pushing the evolution in an industry that is notoriously backwards and I enjoy pushing that envelope,.
It took me until my teenage years to realize that I was medicating with music. I was pushing back against my stupid school uniform, instructors who called me by my last name and my classmates, who, while friendly enough, were not at all inspiring.
I believe that also it should be stressed and made clear that our antagonistic position is not to say "I don't like whites" for the simple fact of not liking white people. It's like, our fight is not against the white person per se, but against the exercises of white supremacy and the form in which whiteness and the politics of whiteness operates.
The establishment? Well, guess what? Donald Trump now is the establishment. His primary opponents, many of them are interviewing for White House gigs.
When you die, we go back to the white energy of all the white energy: white heat that's flung against the sky and becomes a star.
Not only does a lens distort forms, but the ordinary plate makes an unholy mess of colour in its tone relations. Yellow becomes black, and blue white. Black sunflowers against a white sky - what a travesty!
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