A Quote by Kelela

In the music industry, you can't create success without having to engage a white man. It's just not possible. Whether it's executives, A&Rs, and the people that hold the key to your paper, inevitably, you'll be met with whiteness.
I think the idea that you're somehow rejecting whiteness if you don't identify yourself as biracial is odd because everybody engages in whiteness. If you live in America, you're doing whiteness all the time, even if you have no white people in your family.
The essence of building your own brand. People having heard of you - and having a positive impression - before you've even met them. If you can create that effect, doors open for you. A close second, if that's not possible, is people getting a good impression of o very quickly when they Google you
Whiteness is not a culture . . . Whiteness has nothing to do with culture and everything to do with social position . . . . Without the privileges attached to it, the white race would not exist, and the white skin would have no more social significance than big feet
I'm just challenging white supremacy at its intellectual heart every day. It's a pedagogy that I deploy against some of the most vicious resistance to blackness that whiteness is able to throw up. I engage in a lot of intellectual combat with supremacists and with the predicate of white supremacy and white indifference to black identity, and brown and red and yellow identity too, for that matter.
A white girl disappears from a white prep school in a white suburb. Nobody knows what happened to her. The overall whiteness of the world is threatened. This must be resolved by whatever means possible.
You could see a man talking to himself as just plain crazy, or read about the criminal on the front page of the daily paper and ponder the corruption of the human heart, without having to think about whether the criminal or lunatic said something about your own fate.
I don't know what people mean when they ask me whether I'm embracing my whiteness. Whiteness is ubiquitous.
I believe that also it should be stressed and made clear that our antagonistic position is not to say "I don't like whites" for the simple fact of not liking white people. It's like, our fight is not against the white person per se, but against the exercises of white supremacy and the form in which whiteness and the politics of whiteness operates.
Chroniclers of the role of paper in history are given to extravagant pronouncements: Architecture would not have been possible without paper. Without paper, there would have been no Renaissance. If there had been no paper, the Industrial Revolution would not have been possible. None of these statements is true.
In studying music, you're dealing with a person, not just what comes to you on a piece of paper, and it's important to get hold of what it is that lies between that person as a person, and the things which they're producing on the paper. I don't know whether I see things in too complex a fashion, but often people will do things which are not actually their nature, but will do things because they think that's what they should do.
Having started with Bollywood and then moving to Telugu industry, I feel that it is not possible to survive without talent in any industry.
The only thing that I really want to do is just be respected in the music industry... And whether that means selling albums or winning Grammys or people just liking your music, thats what I really want to do.
We never extrapolate: In 1988, my net worth was Rs 1 crore and 1993, it was Rs 200 crore, this does not mean that in 2000, it is going to be Rs 800 crore. In 2002 also, my net worth was Rs 250 crore. We cannot extrapolate things. You take success with paranoia and it is always transient and temporary.
The most glaring aspect of white privilege is that when someone is described neutrally - without indicating color or ethnicity - more often than not, people will assume that the person is white. That assumption indicates an uncomfortable truth: in our society, whiteness determines humanity.
When you look at what people consider success in the music industry, it's just terrible music.
What's really cool about our family is that we don't hold grudges, and I think that is what's been the key to the success. We get into our little disagreements, and whether we're right or wrong, we'll go and apologize. That's just the way we are.
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