A Quote by Kelela

The assumption is simply that I hit on all the things I've hit on so far by accident, that my talent is just this raw thing that pours out of me, and then white people feel like they have to come in and contain it, refine it, and bring it to the place where it can been released.
There might have been guys with enough cajones to send over a drink. If I was hit on today maybe I just don't know it. I told my friend that I never get hit on and he's like, "You're crazy!" But as far as I know, no, I've almost never been hit on.
As an actor, I feel like I'm somebody who, when somebody gives me a mark, I don't want to hit it. I don't like that. But then, without even knowing it, I just hit it.
I used to get made fun of in the minor leagues. I'd be 0 for 2, and then in my last at-bat I'd hit a chopper that wouldn't even reach the shortstop, and I'd get a hit out of it. The guys would be all over me, but a hit's a hit. I'll take 3,000 of 'em.
When I fought Montell Griffin, he quit on me, on the floor, I hit him with a soft punch and he laid down like I knocked him out, and it kinda upset me. I told him I don't care what it is, just give me the rematch. And then I really had to teach him the difference between acting like you've been knocked out, and getting hit for real.
I like to write without being stoned. I like to have a hit or two and then go punch up the writing. I just see different things and hear different things. But it's nice to be working from the base that I wrote originally and then come to it with a little buzz. I can have a little wine from time to time. I have a hit from time to time, but those are the only things I do.
Some of the longest home runs I've hit, I didn't actually realize they were going that far. Everyone says, 'What does it feel like to hit the ball that far?' Actually, there's no feeling at all. I know when the ball meets the bat whether or not it's left the park. It's a nice easy thing.
Home runs just come from accidents by me, ... I just try to hit it solid and sometimes they go out. The record is nice to have but I'm not trying to hit them.
If I have a hit, then I hope the people who like the hit song go out and buy my album so they can hear it all.
When I graduated, I was going to go to school for law, but had such an affinity for hip-hop. It was like walking into a casino and I decided to bet everything on hip-hop, and I hit! My hit wasn't just a hit for me, it was a hit for everyone in this culture.
I haven't just come up with a hit - I'm not like a one-hit-wonder - I've been here for ages. No one is questioning my ability, so just enjoy the wave, spread the wave.
Ninety percent of the time, I'm wearing imaginary people's clothing. I don't feel a huge pressure to go out and, like, hit the town, hit the boutiques.
Ninety percent of the time, I'm wearing imaginary people's clothing. I don't feel a huge pressure to go out and like, hit the town, hit the boutiques.
I don't think there's anything wrong with pity. Like if you saw a dog having just been hit by a car, you would pity that dog. But then what do you do? Do you leave it there to get run over by more cars, or do you step into traffic and hold up your hand? "Stop! An animal has been hit!" and carry the thing to safety?
I actually feel I'm in a much better place than I've ever been because I'm thankful people still love the songs that I've written, and they seem to like me. And they come to the shows in droves, and they get all excited, and I can still hit all the notes, and I don't look terrible.
If you have an important point to make, don't try to be subtle or clever. Use a pile driver. Hit the point once. Then come back and hit it again. Then hit it a third time - a tremendous whack.
If I hit you and you hit me and I hit you back and you hit me back and go on, you see, that goes on ad infinitum. It just never ends. Somewhere somebody must have a little sense, and that's the strong person.
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