I play popular songs. This is not some obscure, unusual music. This is popular music.
I want my music to be really big. I have no interest in DIY Brooklyn; I don't want to be a small indie band.
The one constant in this ever changing music business is the heartfelt and “ear to the ground” Indie Record Stores that avid music fans and artists alike know they can count on to keep music thriving locally. I tour all over the world, and it's these Indie Record Stores that many times make or break a market. People will always want an “album” to hold, not just have downloaded, and Indies fill that need and then some.
I'm trying to fuse popular and commercial music and just make very creative music. It's popular music: it's everything for everybody.
Obviously I want my music on the radio and I want my record to do well, but I also have a totally different career, so a lot of people who are in music are just in music and can dedicate all their time to that and I can't do that, so I really want to have both things and I'm just trying to figure out how.
I want people to feel what it was like in the '40s. That's when popular music in the United States was so beautiful. Frank Sinatra, the Pied Pipers, Duke Ellington, Fletcher Henderson, Tommy Dorsey, Billie Holiday. That's when popular music had deeper values, to me. This was music that was selling millions of records.
It's such a cliche thing to say. I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
I have crazy, different influences in my songs. I want rap music, I want Congolese rumba, I want salsa, I want dance music, I want hip-hop music, all mixed into one!
I'm meeting a lot of musicians and people in the music business, and am constantly trying to figure out what I want to do with music. We'll see. I want to do everything.
You have to make a choice when you start to sing and decide whether you want to service the music, and be at the top of your art, or if you want to be a very popular tenor.
I'm into indie music. I think indie is going to bring back the spirit in music. There was a time when it was all about accommodating the music business, the music was getting tasteless, but the spirit is back.
My goal in this music business is to be here as long as I'm alive. I want my music to be here. I want to be the Michael Jackson and the Prince of hip-hop. I want to be a legend. I want to change the world. I want to give them songs that mean something.
There is no essential difference between classical and popular music. Music is music. I want to communicate with the listener who finds Indian classical music remote.
'Snow' is my most popular book in the United States. But in Turkey, it was not as popular as 'My Name is Red,' or even 'The Museum of Innocence,' because the secular leaders didn't want this bourgeois Orhan trying to understand these head-scarf girls.
Indie music is 'it' now. It's kind of a revolution to the music: 1980s, 1990s music was getting very sanitized; they were complying with the music industry. Music was getting more and more dead in a way. Now, because of the social climate that's very severe, the artists are compelled to start being real. It's really great that indie music is now.