A lot of people are very interested that a Korean director has made a western. But when I look at the reactions of the audience, I realise the points at which people laugh are the same for a Korean audience and an international audience.
I never want to forget that I'm doing an impossible thing. How rare is it that you get to be part of something people love? It's really special. It's a very out-of-body experience to be a part of something so huge.
People always make this totally artificial distinction between what is commercial and what is good. They quote that maxim "Nobody ever lost money underestimating the public's taste" and I think that's very wrongheaded. I like to believe the audience is actually intelligent, because it's made up of other people like yourself.
The body is made up of atoms and subatomic particles that are moving at lightning speed around huge empty spaces and the body gives off fluctuations of energy and information in a huge void, so essentially your body is proportionately as void as intergalactic space, made out of nothing, but the nothing is actually the source of information and energy.
I think the audience is getting it right, you know what I mean? And that's kind of rare when the artist feels like their audience understand them. But I feel like people are understanding exactly what I'm going for. And that's awesome.
Very often, people will come out and say, 'Greeks aren't doing things, Greeks aren't making changes, there's no reform,' That is hogwash. We have made a huge effort. The Greek people have made a huge effort.
Usually it seems like either you sacrifice something and a lot of people will pay attention, or you stay true to yourself and appeal to a smaller group of people, but now we've managed to do what we felt was the right thing to do in our heart and had it reach a wide audience. It feels very rare.
What Beats brings to Apple are guys with very rare skills. People like this aren't born every day. They're very rare. They really get music deeply.
It is a really bizarre feeling to perform for, like, five people. You get so much energy from an audience, and when it's just five quiet people at a table, that's not the same.
How idiotic civilization is! Why be given a body if you have to keep it shut up in a case like a rare, rare fiddle?
I understand people have preconceived notions of who I am or what I do. But I do find it a bit bizarre that people find it bizarre that I've grown up.
I'm not a huge fan of 3-D, though. Honestly, I think that movies are an immersive experience and an audience experience. There's nothing like seeing a film with 500 people in a theater. And there's something about putting on 3-D glasses that makes it a very singular experience for me. Suddenly I'm not connected to the audience anymore.
I always try and stay one step ahead of people, not looking like I looked like last week, so I can be as anonymous as possible and part of it is just for me. It is fun to just come up with new and bizarre colors for each area of your body and things like that, but there are some parts of it that I just keep wanting to negate myself. I hate waking up in the morning and recognizing the woman in the bathroom mirror.
A lot of people body shame me because I am very thin. They say I have a 'boy's body,' or that I look like a skeleton or like a runaway patient. People can never be happy, so you just have to be happy with your body and how you are.
You can look at what's happened to America in the last years and say a lot of people were asleep. A lot of people were not staying awake and watching what was going on and facing the pain of that and dealing with it.I don't care if the rest of the audience doesn't think along those lines at all, because the audience is a huge spectrum of people, from people who are introspective to people who just want to be scared and have fun, and all the points in between.
My mother was a huge, huge reader. I think I picked up very early how precious it was to write things in books and have people like my mother glued to the page.