A Quote by Kelis
In my life, looking at other women who have been pregnant while writing, I always feel like it's kind of their most musical or the closest to themselves. I think for me it's such a validating moment, you know. I always knew I wanted to have kids, and I've been making music all my life.
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I've always been surprised when a straight guy likes me. It's just been like my whole life has been kinda like that. I definitely felt like when I started writing music, it wasn't writing for a gay audience at all. I was just writing for me. But what I say whenever I get this question is my best friends have always been gay, I've always been, as a person, just accepted by the gay community, and celebrated and had the best nights of my life at gay clubs. Always had a fashion sense usually with drag and I don't know. That's just kind of my people. That's just kind of where I fit in.
I'm always open to questions asked, and it will be up to me at that moment to decide if I want to answer or not. I've always been the kind of artist that wanted to focus so much more on the music than all these other things. For example, "what does it feel like to be a female in a male dominated industry"?
I wanted to lift the aspects of the lyrics and imagery that I found sincerely powerful and touching, plus the amazing musical extremities, and make my own thing. That's what making music has always been for me. Synthesizing a nonexistent kind of music that I wish existed because I wanted to listen to it.
I've always been kind of precocious, but my journey sort of solidified when I was in college and majored in theater. That's how I knew I wanted to spend my life writing, telling, and performing stories.
I've been playing music all my life. I wasn't really fostered in a musical family, it was something I did despite the kind of limitations put on me. It was a series of misshapes and failures and things that didn't work out and other opportunities that kind of presented themselves. I just followed a journey.
I've always known that I've wanted to write, but I always saw myself doing that in the context of something other than film, so it was a really beautiful and kind of perfect moment in my life when I realized that I could combine this idea of wanting to write and tell my own stories with the environment I had grown up in and knew well - that I could make film as opposed to writing being a departure from what I knew.
So often in my life I've been with people and shared beautiful moments like travelling or staying up all night and watching the sunrise, and I knew it was a special moment, but something was always wrong. I wished I'd been with someone else. I knew that what I was feeling - exactly what was so important to me - they didn't understand.
I think I always knew aesthetically what excited me the most, and I think I was always looking for that aesthetic in other people and it didn't really happen. I decided to take it upon myself to be the change I wanted to see in nightlife.
I feel so lucky to have lived the life that I did and to be surrounded by the people I love. I've got eight kids, and they're always laughing all the time. It's like music to my ears. I think that my frame of mind these days is probably happier than I've ever been, which is kind of odd, coming close to the finish line.
I think of you, I dream of you, I conjure you up when I need you most. This is all I can do, but to me it isn't enough. It will never be enough, this I know; yet what else is there for me to do? If you were here, you would tell me, but I have been cheated of even that. You always knew the proper words to ease the pain I felt. You always knew how to make me feel good inside.
And Paul Moravec, not being a theater person, would always trust me when I said things that I am like, "you're going to need another 10 seconds of music year to get them across the stage." But I always knew that the people were going to be coming to hear his music of which my words are going to be a part. It was clear that he wanted to go and direction A., and I wanted to go and direction B. We would've gone and direction A. That's the most important piece of advice I can give to anybody who finds themselves in an opera, or musical comedy situation like that.
Music has always been a huge passion in my life. I've just had such success with my acting that it's really been right alongside of it, and I've always been writing and playing and singing.
Now I've devoted my life to making sure that I can be a trailblazer for any other African American kids or any other gay kids or any other kids that just feel weird or uncomfortable and have their own issues and don't know how to express themselves. I want to be like a beacon for those kids now.
This has always been my problem with genres is that they've turned into marketing tools. I've never been a person that allows themselves to be in any kind of box and I think that genres can be used as tools to define BPM or something but I think they're suffocating of music and other art. And I think they're inaccurate when they come to describing my work. Maybe other people like defining it, but I don't.
I love women. I love their hearts. There are a lot of women who are suffering. A lot of women who have been disappointed, have been let down. One thing I'd like women to know is the message: Hold on. Hold on. Be faithful to your kids. Hold on for the future because life doesn't always necessarily stay the way that it is. It will get better.
I knew that I always wanted to keep making music, but I knew that comics needed to be a part of my life.
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