A Quote by Kell Brook

Timing beats speed and I'm very strong at my weight. — © Kell Brook
Timing beats speed and I'm very strong at my weight.
The athlete who is building muscles though weight training should be very sure to work adequately on speed and flexibility at the same time. In combat, without the prior attributes, a strong man will be like the bull with its colossal strength futilely pursuing the matador or like a low-geared truck chasing a rabbit.
Speed is the form of ecstasy the technical revolution has bestowed on man. As opposed to a motorcyclist, the runner is always present in his body, forever required to think about his blisters, his exhaustion; when he runs he feels his weight, his age, more conscious than ever of himself and of his time of life. This all changes when man delegates the faculty of speed to a machine: from then on, his own body is outside the process, and he gives over to a speed that is noncorporeal, nonmaterial, pure speed, speed itself, ecstasy speed.
The speed and timing go with age.
Even after rowing in all these pieces, it's often hard to determine who will be selected because the decisive factor in seat racing is speed not margin. Boat X beats boat Y by two lengths over 1000 meters in a time of 2:54. After exchanging "Dave" from X to Y for "Scott," Boat X beats boat Y by one length in a time of 2:51. From the rower's perspective, the result is that Dave beats Scott by a length. But in Mike's eyes, Scott beats Dave because on the second piece, X was three seconds faster-even though it only beat Y by a length.
I have actual strong ideas. You just have to wait for the right timing. Timing is pretty crucial here. I can't dedicate a lot of energy and efforts trying to, say, create a show that I want to produce while I'm currently on another show.
I want to thank Kotelnik for letting me have a shot at the title. I'm so confident I'm going to beat him. He thinks that me moving up a weight, I won't be as strong, but I'm very strong. I'm a hard-hitting fighter.
I'd say that, to be a good deal maker, you have to have three basic characteristics - timing, timing, and timing.
I'd say that, to be a good deal maker, you have to have 3 basic characteristics - timing, timing, and timing.
The most difficult part of portraying 'Darna' would probably be the timing when you do stunts. You have to look strong but you can't be too strong because you don't want to hurt the person you are doing the scene with.
Even in real life, at least I have that very strong sense of timing to do things when they are meant to be done. Like when to stop colouring your hair, when to do whatever, and to live by it too.
I don't shop beats. That was never my method coming up. I think it's very strange to have a CD of 30 or 40 beats and then just pick one.
You can take weight out of a car and truck and still make it very strong.
If an acquisition can speed a process or fill a gap, we'll jump right to that. It's about timing, need... it's not necessarily an algorithm.
My advice always is to start very simple and master your timing and master the most simple beats that you can, and you just keep elevating from that. Trying to go right into playing fast is not necessarily the best way to go about it, because if you don't have your foundation locked in, it's hard to progress.
I have a strong hips and groin. It's the leg speed, the way I approach the ball. My first step is not very hard, but my second is explosive.
I was not influenced by Jack Benny, and people have remarked on my timing and Jack's timing, but I don't think you can teach timing. It's something you hear in your head.
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