A Quote by Kellan Lutz

With each movie [Twilight saga], we went in trying to explore that character a little deeper, or in a different sense. But, at the same time, there was a comfort in knowing that you know this person.
People were asking me how I'd feel when it all ends, on the first movie [of The Twilight Saga], and I don't think I've ever felt more completely bewildered knowing that I only have a month of Twilight stuff left to do.
Usually, at the end of a film it's like I've finally gotten to know this person completely, and then we're done. That actually happened on the set of 'Twilight,' and then it happened again on 'New Moon.' Each time my character Bella became a different person, and I got to know that person and take her to the next level.
Usually, at the end of a film it's like I've finally gotten to know this person completely, and then we're done. That actually happened on the set of Twilight, and then it happened again on New Moon. Each time my character Bella became a different person, and I got to know that person and take her to the next level.
It is fun, revisiting a role. Usually, as an actor, you do a movie and you put that character up on a shelf, and he's done. That character is now immortalized on film, but you don't get to play him again. In these films [Twilight saga], we got to revisit these characters, and we didn't take that for granted.
If I had known that this movie would bring so much craziness, I don't know if I would have said 'yes' to the Twilight Saga. I never asked to be a poster-boy.
I think the best models are actors, you're taking on a character. In that sense, I have been acting for a long time. It didn't seem like a crazy transition. Acting is a bigger step into modelling in a way. Modelling is easier when you don't look like yourself. When you look like a different person, you feel different. Acting goes deeper into that, you have to move and talk like that character. I love it.
Obviously, movies and music videos are different because they're different lengths, and in a movie, you have more time to explore an idea. But I feel like they're all the same, really.
A journal is a very personal thing. As far as possible, to write this sort of book you need to know and feel your character as a person and then put yourself into that person's mind, place and time. Trying to stay in that person, place and time is a challenge when surrounded by this very different world of the 21st century.
Your deeper sense isn’t a springboard; it’s a landing place. If you draw conclusions too quickly or too slowly, you’ll establish your self where it doesn’t belong. The fine line between the two is in your own deeper sense. It is in your actual knowing within that deeper sense.
Before 'Twilight,' occasionally I would get the 'Hey are you that girl from that movie?' but no one knew my first and last name. The fans of the saga are amazing, and it's very flattering.
What I do is I write mainly about very personal and rather lonely feelings, and I explore them in a different way each time. You know, what I do is not terribly intellectual. I'm a pop singer for Christ's sake. As a person, I'm fairly uncomplicated.
Whenever you work with someone who you idolize, you realize... he's just a person trying to make a movie as best he knows how. And that doesn't look so different from other people trying to do the same thing.
To know another human being in their essence, you don’t really need to know anything about them - their past, their history, their story. We confuse knowing about with a deeper knowing that is non-conceptual. Knowing about and knowing are totally different modalities. One is concerned with form, the other with the formless. One operates through thought, the other through stillness.
I think it went Twilight, Welcome to the Rileys, New Moon, Runaways, then Eclipse, so it was like one of those movies between each Twilight movie.
I always knew that I could go deep. How deep? I don't know. But it always seems that with each character I take on, I'm challenged to go deeper than the last time, and then again deeper than the last time. This is the deepest I've ever been asked to dive. And to see how deep I actually went for this, and that I wasn't afraid to go there in order to give Tyler exactly what he envisioned for the character, which was pretty deep, that's what I discovered about myself.
Ten years of character development affords you a lot. You get a chance to dig deeper and deeper and deeper into a person.
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