A Quote by Kelley Armstrong

Reviews are great. I can read negative reviews and say, You know that point they made... they were dead on. — © Kelley Armstrong
Reviews are great. I can read negative reviews and say, You know that point they made... they were dead on.
Reviews are great. I can read negative reviews and say, 'You know that point they made... they were dead on.'
Every year I tell myself that I’m not going to read any reviews and then I do. We’re all human and when I read something negative it hurts. I think when you write it’s part of the game, you’re going to get some good reviews and some bad reviews and that’s how it goes. I don’t write for the reviews.
Every year I tell myself that I'm not going to read any reviews and then I do. We're all human and when I read something negative it hurts. I think when you write it's part of the game, you're going to get some good reviews and some bad reviews and that's how it goes. I don't write for the reviews.
I've seen many shows ruined by bad reviews and good reviews, so I always tell my actors not to read the reviews until after the run is over.
Still, one of the few good things about being dyslexic is that when I say I don’t read reviews, I mean I don’t read reviews.
I try not to read too much because what ends up happening is that you ignore the nice reviews and you just focus on the bad reviews. A negative lesson is learned seven times deeper than a positive reinforcement.
Reviews are all bullshit, because they always change. When House of 1000 Corpses came out, all the reviews were awful. It was impossible to find a review better than "The worst movie ever made." And now I'll see more-modern magazines, and sometimes they'll re-review things, and I'll read this great review for it. It's the same thing with White Zombie! People talk about "Oh, White Zombie, these classic records. Why don't you do them now?" Everyone hated those records when they came out! The reviews were terrible.
It's always good to get good reviews. I read my reviews. There are a lot of writers who don't read their reviews at all. I read them; then I put them away because it's not good to engage with them too much.
I don't read reviews. Just because that is something that's directly connected to my job. I'm doing this because I love it, not because I'm necessarily looking for approval or anything like that. To me, it seems that reading reviews - whether they're good ones or bad ones - can only sort of force the person to divorce themselves from the reality of what it is they do for a living. So I don't read reviews.
I try not to read all reviews, but its just that after a point there is nothing much that you can do about it. You can learn and take forward things and use it in your next film. As long as reviews translate into bums on the seat, I think there isn't much I can do.
I don't read my own reviews and I haven't for probably 15 years. I read other people's reviews, though.
I don't read reviews if I know in advance they're negative, because I can't have my confidence undermined when I'm writing.
I used to read reviews - I read a lot of the reviews when I did 'Borgen,' but the thing is, people were so harsh that I talked to my wife about it, and I said this is too tough - the people are too personal and too idiotic to understand it, in my mind.
I get a sick joy out of bad reviews. I don't read good reviews.
I love reviews. Anybody who tells you they don't read reviews is a liar.
Reviews are written by people who don't understand the process of sitcom. I don't read reviews of anything. I go by word of mouth.
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