A Quote by Kelli Berglund
I would love to be able to read minds. How cool would it be to get inside peoples' heads and figure out what they're thinking? I guess that's a good and a bad thing.
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I've actually always wanted to be able to read people's minds. My sister did a movie with super-powers and that's the one I would have wanted, so I really lucked out. The negative is that people are really cruel in their own minds, but you can weed out the bad people from the good people, and then just hang out with the good people.
When I read out loud in class, it was a joy for everyone else because I would mispronounce things so badly. I used to try to count how many people were in front of me and then work out which paragraph I would have to read out and start trying to learn it. And I would sit there thinking, 'Please let the bell go so that it doesn't get round to me.'
When you start out as an actor, you read a script thinking of it at its best. But that's not usually the case in general, and usually what you have to do is you have to read a script and think of it at its worst. You read it going, "OK, how bad could this be?" first and foremost. You cannot make a good film out of a bad script. You can make a bad film out of a good script, but you can't make a good film out of a bad script.
Marvin Gaye said there's a song inside of me and I can't get it out. And I know it's in there, and I can feel that it's in there, and I can't get it out. There's so much that I want to say, and I haven't been able to figure out how to say it in my art. I can only say it in ham-fisted, clumsy, nonpoetic ways, and I'm trying to figure out how to talk about life and talk about love and talk about pain and trials and tribulation in an artistic form.
That would be cool if you could eat a good food with a bad food and the good food would cover for the bad food when it got to your stomach. Like you could eat a carrot with an onion ring and they would travel down to your stomach, then they would get there, and the carrot would say, It's cool, he's with me.
I've always worried that one day women would figure out how to get along without us and they would be able to reproduce unilaterally, like sponges.
A lot of the demonstrations that I do, when I get inside peoples minds, is understanding human behavior and understanding how people think and getting their patterns down so I know how to create the illusion that I get inside their brain.
'Five Easy Pieces' got to me pretty good. I remember seeing it and thinking, 'That is so cool. I would love to be able to do that.'
Actually learning ancient Greek was a brilliant practice of mine because you'd sit there and you'd read a sentence and sometimes it would take you a day, an entire day to figure out one sentence. But it really trains you to be analytical, to think in a certain way to try and interpret what something means. So I've been thinking like that my whole life and then I love Machiavelli and I love thinking about politics that way. So it's sort of all that put together and then the good luck to meet a man who is sort of interested in the same thing.
And I would say that the main thing that I faced as a female in this industry was being underestimated. But being underestimated isn't always a bad thing. It's nice to get out there and blow people's minds when they think you're not gonna be any good.
I guess he'll have to figure out someday that he is supposed to have this dark side, that it is part of what it means to be human, to have the darkness just as much as the light- that in fact the dark parts make the light visible; without them, the light would disappear. But I guess he has to figure other stuff out first, like how to keep his neck from flopping all over the place and how to sit up.
I would think flying would be pretty cool. You would be able to fly away from all your enemies and get where you're going much faster. But being invisible? You probably wouldn't use that for the good of man.
If you read a label and just look up the ingredients, you'll be able to figure out really easily what's good for you and what's bad.
The way that Lucasfilm used ILM was George never restricted his thinking to things that he knew could be executed with the tools at the time. He would write what he thought would be cool and what he wanted from a storytelling standpoint with the assumption that, 'Well, they'll figure it out!'
Whenever I read a script or sign a film, I don't see whether he is a bad guy or a good guy. I see how much the character is contributing to the story? How much is the importance of the character in taking the story forward? And what new I would be able to learn and what new I would be able to try in that?
I'm sort of awkward with technology, and I think I'm the type of guy who would have something cool happen to him, and it would take, like, five days to figure out how to tweet it.
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