A Quote by Kelli Williams
We go to the opening arguments or the closing arguments of a case, and we'd see which actor got the big one. I had a seven-page one once which just about killed me, and I thought, 'Oh, I'm going to get fired, that's it, I can't do it.' It was like a one-act play, and I had a few weeks to learn it, luckily. But it's terrifying.
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I am well acquainted with all the arguments against freedom of thought and speech - the arguments which claim that it cannot exist, and the arguments which claim that it ought not to. I answer simply that they don't convince me and that our civilization over a period of four hundred years has been founded on the opposite notice.
When I got to 40 or so... I had the sense when I looked back over my life I would actually see a mess of decisions, a few of which I had thought about, some of which I had sort of stumbled on, and many that I had no control over whatsoever.
She said, “I’m going to have you fired.” I had two people say that to me today, “I’m going to have you fired.” Go ahead, be my guest. I’m wearing a green velvet costume; it doesn’t get any worse than this. Who do these people think they are? I’m going to have you fired!” and I wanted to lean over and say, “I’m going to have you killed.
What it was like to kiss Matt Damon? You know, it doesn't matter, does it, if it's a man or a woman. It's a kiss. We had to show affection in some places, love, passion in other places. A kiss is just a kiss. I mean, we'd have our fun. You know, "Matt, what flavour lip gloss would you like me to wear today?" When I see the movie I'm so proud that a few minutes go by and I forget that it's Matt and I, and halfway through I forget it's two guys. The arguments sound the same as arguments a guy has with his wife.
All of a sudden I was Joan [Mad Man] and they're going, "Oh, so she plays a badass in this." And I'm like, "Oh my god, I get to play badasses." Firefly was a little bit of that, but she started out as a mouse and then she turned into a dragon. But I never really had that opportunity. So all of a sudden people were like, "Oh, do you feel like you're being typecast?" I would say, "No, this is just opening the doors." No one thought I could do it and someone finally trusted me to do it.
I liked 'Scream of the Banshee' because it was a real challenge. I thought, 'How am I going to pull off this character?' But, I also thought, 'Oh, man, I'm going to go for it.' He's got all the defects of character that an actor loves to play. So, I had a really great time.
If you just try to make rational arguments about why people should care about Congo and how 5 million people have died, then people tend not to be receptive. But once you've created a connection of empathy, rational arguments can play a supportive role.
Terrible, it was terrible. Even today and it's been several months now you just bring it up and I tear up a little bit, terribly. You know when you're that close that long and got along as well as we did, we seldom had any serious arguments. We might have - might discuss which movie we wanted to see and what play we wanted to go to, where we ought to go for a vacation but that usually didn't last very long because we were much of the same mind all the time.
Ever since I was a about seven or eight; I think it was seven. My brother said "I want to start acting," and me and my sister just said, "Oh we'll try it, we'll see." It was just one of those things - we were just like, "Oh, we'll see what happens." So we ended up - all my siblings and me - we ended up just trying it, and I got that one role on In Plain Sight and then we just decided to keep going and see what happens. And then: Hunger Games.
I had the sense when I looked back over my life I would actually see a mess of decisions, a few of which I had thought about, some of which I had sort of stumbled on and many that I had no control over whatsoever.
I would sort out all the arguments and see which belonged to fear and which to creativeness. Other things being equal, I would make the decision which had the larger number of creative reasons on its side.
Fear is like a black cavern that is terrifying. Once you enter the cavern and explore it, you realize that you can get out of it, go through it and get out of it. Then there's another cavern that is just as big and terrifying, and you just go in and dwell in it and see what is the worst that can happen.
Top Trumps appeared to be a game in which you got cards, and the cards had a picture (in this case, of a horse), and told you all kinds of stats for that horse, how fast it was, how big it was, etc. Whoever had the better horse won both the cards. You repeated this until someone had all the cards. So, basically it was exactly like high school, except it only took three minutes. Which was really a bit more humane, if you thought about it.
In my case what happened is that within about two weeks of beginning meditation, the anger already started to go away. My wife came to me and said, "What's going on?" and I said, "What are you talking about?" To which she replied, "This anger, where did it go?" I didn't even realize that my anger had been going away.
I wanted to become an actor. I went to Guildhall School of Music and Drama, which is one of the main drama schools in London where you go when you are older. But I was doing the junior one when I was a kid. And some friends there had agents. I was fourteen and I was like, "I want an agent! It sounds awesome!" I had no idea what that was. I thought those guys looked like men in black. They were hanging around in suits all the time. So I luckily got a very good agent in London and started auditioning. And then when I was 16, I got my first film and I've been working ever since.
It's always the last one because it's so present in your body. I liked Scream of the Banshee because it was a real challenge. I thought, "How am I going to pull off this character?" But, I also thought, "Oh, man, I'm going to go for it." He's got all the defects of character that an actor loves to play. So, I had a really great time.
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