A Quote by Kellie Martin

My two goals are to read everything Edith Wharton has ever written and to have an art collection. — © Kellie Martin
My two goals are to read everything Edith Wharton has ever written and to have an art collection.
This is a glorious biography ... The time is ripe for a new biography of Edith Wharton of this intimacy and on this scale ... Lee the biographer pursues her subject down every winding corridor, into every hidden passage and dark corner ... Her critical exploration of Edith Whartons work is dazzlingly assured ... A feat of exhaustive research, and finely tuned to Whartons creative achievement at the same time ... [Wharton] could scarcely have failed to be impressed by ... its artistic sympathy, its sonorous depths, and its soaring conception.
In all my novels, a sense of place - not just geographic but social - is a critical element. I have always been drawn to the novels of Edith Wharton, among others, where social dynamics are crucial. Wharton's class consciousness fascinates me, and some of the tension in my books stems from that.
The savagery and power of Edith Wharton's ghost stories surprised me.
The Buccaneers was an Edith Wharton novel, and she never finished it, and a screenwriter adapted it for television.
'The Buccaneers' was an Edith Wharton novel, and she never finished it, and a screenwriter adapted it for television.
I live by Edith Wharton's rule to get rid of anything neither useful nor beautiful. So I put the TV out on the street.
If Edith Wharton lived in the Age of Innocence, surely we now live in the Age of Deception.
I realized the structure in a collection is how they're put together. Structuring the collection became the art of it for me. Because the stories had all been written.
I am very fond of Edith Wharton. She's quite high brow but also a great storyteller. My favorite is 'The House of Mirth.' I also like 'The Reef.'
Henry James and Edith Wharton are huge for me because they gave me a way to understand America while still respecting the European backgrounds of my relatives.
I am very fond of Edith Wharton. She's quite high brow but also a great storyteller. My favorite is 'The House of Mirth.' I also like 'The Reef.
As I grew a little bit older and got interested in law, I read that Clarence Darrow didn't believe in the Bible either. So I read everything he had ever written, all of his trials, everything - to search out the philosophy of his disbelief.But I couldn't find it.
I think I'm too indoctrinated. I'm going to use everything I can, and I think if I used an advertisement in that one, it would be yet another way to connect the current day with Wharton. Wharton has been perceived sometimes as being too upper class; Wharton was an extraordinary social thinker. As relevant today as anyone, so she uses some language that isn't current, but to me, I'm so happy about that because I get so bored with the 100 words that people mostly use.
I've read everything that Isaac Asimov ever wrote, for a start. I'm massively into my fantasy genre, anything by R.A. Salvatore or David Gemmell. I've read every single book those writers have written.
Most of everything I've ever written actually was written on acoustic. 'Do You Feel' was written on electric. 'I'm in You' was written on piano.
Don't ever forget two things I'm going to tell you. One, don't believe everything that's written about you. Two, don't pick up too many checks.
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