A Quote by Kellie Martin
I would say, if I had any hobbies, I love photography. I love taking photographs.
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I love being photographed, or I should say I love the art of photography. It's about people taking photographs of you, stealing them, and then presuming or assuming or captioning. Words can never be taken back, photographs can never be taken back, nothing can ever be taken back.
I went back to photography in the 1990s. But from the 60s to the 90s I didn't really take any photographs at all, unfortunately. During that period I lived in France, I lived in England, I lived all over the place in different cities. I didn't take any photographs and because I felt I had really accomplished everything that I wanted to in photography during the period between 61 and 67.
I love photographs. I love taking photographs. When I see something that's great, I want to capture that. You put it out there and on a place like Instagram you can put it there and review it later.
I make photographs and still make photographs of the natural environment. It's a love because that was part of my life before I was involved in photography.
I would love to direct a western. I love taking photographs and I'm always fascinated with angles. Also, my father was a film editor, and I have a talent for thinking of things that aren't always in a script.
I never had any intention nor interest in being an artist, but when I made work I realized that this was my language. What I had to say needed to be said in this way. I always loved taking photographs - but never considered myself a photographer. I have tremendous respect for photographers. I do use a camera and a photo as a basis for a lot of my work, but I use it as a means to attain an image to work from. The actual photography in my work is a monochromatic photograph. I'll photograph something and extract a color that will then be the background for a painting.
There is no truth in photography. One can't reproduce an absolute truth. That said, I don't see [my photographs] as being any less truthful than any other photographs.
I remember in grammar school the teacher asked if anyone had any hobbies. I was the only one with any hobbies and I had every hobby there was... name anything, no matter how esoteric. I could have given everyone a hobby and still had 40 or 50 to take home.
I don't have any hobbies. You know, I'm very embarrassed when people ask me what are my hobbies; I don't have any hobbies. I mean, it's just enough to keep up with the things I'm trying to solve.
Yes, I love my homes, I love to travel, I love my family, and I love doting on my new grandchildren. But you can only do so much of that. I don't go to lunch with friends. I don't join clubs. I don't have any big hobbies. I work. I come up with stories. I can't even imagine a life where I'm not sitting around, worried about my next book.
I really loved taking photos when I was younger. I think my love for photography sparked my love for creating the visuals to support my music.
No individual photo explains anything. That's what makes photography such a wonderful and problematic medium. It is the photographer's job to get this medium to say what you need it to say. Because photography has a certain verisimilitude, it has gained a currency as truthful - but photographs have always been convincing lies.
I love photography, I love food, and I love traveling, and to put those three things together would just be the ultimate dream.
Photography is a big part of my life: taking photographs, being around photographers.
I love photography and I love the art of photography. So when I'm working with high-level art photographers, I give them artistic freedom because I want that for myself when it's my turn to do my work and I never try and control it or say I'll only do this or I want it like that.
Images anesthetize. An event known through photographs certainly becomes more real than it would have been if one had never seen the photographs ... But after repeated exposure to images it also becomes less real. ... 'concerned' photography has done at least as much to deaden conscience as to arouse it.
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