A Quote by Kelly Clarkson
Like every other girl in the world, my most embarrassing moment had to do with a guy completely turning me down. His loss!
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His fingertips slid down from my face, lightly stroking the line of my neck, down toward my shoulder. Everywhere he touched, a trail of goose bumps appeared. How did he keep doing this to me? Marcus—who made every girl in the world swoon—had zero effect on me. But one whisper of a touch from Adrian completely undid me.
I think every guy that's dated a girl or hasn't been straightaway into a relationship has had that 'so...' moment where a girl is like, 'Hey what are you doing?'
Out of every other rap guy, Wiz is the most humble, down-to-earth guy, like me.
I write every day, for most of the day, so it's just about turning into metaphor whatever's going on in my life, in the world, and in my head. Every nightmare, every moment of grief or joy or failure, is a moment I can convert into cash via words. I use everything. Turning life into stories is how I make sense of my experience.
I don't like ordinary girls. But a girl who would kill a guy to make him hers and then kiss his still-warm lips... a girl like Oscar Wilde's Salome They drive me crazy. Like Kiyohime turning into a snake to chase her man or the grocery girl Oshichi who set fire to a building just to see hers one more time. I want to be loved like that be obsessed over be hated.
Guys think that if a girl is pretty, she's automatically going to say no. Most of the guy's I've gone out with, I've had to make it completely obvious that I'd like them to ask me out. Or, I've had to ask them.
It is one of those problems of human nature, which may be noted down, but not solved; - although Ralph felt no remorse at that moment for his conduct towards the innocent, true-hearted girl; although his libertine clients had done precisely what he had expected, precisely what he most wished, and precisely what would tend most to his advantage, still he hated them for doing it, from the very bottom of his soul.
Burnout is grist to the mill. I write every day, for most of the day, so it's just about turning into metaphor whatever's going on in my life, in the world, and in my head. Every nightmare, every moment of grief or joy or failure, is a moment I can convert into cash via words.
Oh, and Cammie," At the sounds of his voice, I spun around, expecting to hear him crack a joke or call me Gallagher Girl. The last thing I expected was to feel his arms sliding arounds me, to sense the whole world turning upside down as Zach dipped me in the middle of the foyer and pressed his lips to mine. Then he smiled that smile I'd come to know. "I always finish what I start.
When I sit down to write, which is the essential moment in my life, I am completely alone. Whenever I write a book, I accumulate a lot of documentation. That background material is the most intimate part of my private life. It's a little embarrassing - like being seen in your underwear It's like the way magicians never tell others how they make a dove come out of a hat.
Life always gives us exactly the teacher we need at every moment. This includes every mosquito, every misfortune, every red light, every traffic jam, every obnoxious supervisor (or employee), every illness, every loss, every moment of joy or depression, every addiction, every piece of garbage, every breath. Every moment is the guru.
He had handed his daughter to Caroline Gill and that act had led him here, years later, to this girl in motion of her own, this girl who had decided yes, a brief moment of release in the back of a car, in the room of a silent house, this girl who had stood up later, adjusting her clothes, with now knowledge of how that moment was already shaping her life.
The [character] that I was able to crawl into the most was Lilo from Lilo & Stitch. This was sort of a cartoony-looking girl, but her problems were completely real. Her funky world that she createdI mean, you know kids like that. It was very honest and genuine and I wanted to do an honest job, so I thought about the character a lot before I animated it. I really got into the character, where [I] almost felt that pain that she had. The loss of the parents - you need to feel all that. That was a big learning experience for me.
You're looking, moment by moment and scene by scene, how you can tell the most interesting story. So, we had this great short and we knew that we had a story about a boy and his dog. Because we had that pure emotional core, we could go on crazy tangents and always come back to Victor and Sparky. When I wrote in stuff like Weird Girl and the cat poop, Dutch Day and the windmill, it felt like it was part of Tim's universe.
My most embarrassing moment was probably when I was on tour and I would throw the mic out of my hand and catch it but one time I dropped it and I felt so stupid. My most exhilarating moment is every time I step on stage to perform.
Every day, I have a most embarrassing moment.
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