A Quote by Kelly Jones
We changed every lead in our whole system, and to this day we still don't really know why it did it. We think wires were touching and faulting. That was it really, but it didn't make it any easier.
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Not really, definitely not from any outside sources. If there was any pressure it was just from ourselves. We just wanted to make sure that what we were doing was right. But, you know, when you're dealing with any kind of art, I think pressure really doesn't help at all. All you can do is give what comes out of you - and that's what we did.
If only you could really use a fail-proof system to know who was worth keeping and who needed to be thrown away. It would make it so much easier to move through the world, picking and choosing what connections to make, or whether to make any at all.
You try to make the most of each day. I'm not big into setting real specific goals. I think, really, if you just focus on every day - and I know that's the oldest cliche in the book, but it really is true. Day 1 of camp means just as much as Day 17 of camp. If you really try to focus on each and every one of those days, long-term.
I can get 400 pages down the road and still not know the answer. What I do know is that I have really examined every facet of the situation, and I may not have changed my opinion but I have definitely forced myself to explore why it's my opinion.
When we were doing noisier shows, they were fun, but we were trying to be really obnoxious and it wasn't like we were trying to make good music. I mean, I'm happier when we have smoothed out a little bit. I think that the spirit of the noise and experimental stuff is still there, but it's easier to do when you're a freshman in college.
Every day we touch what is wrong, and, as a result, we are becoming less and less healthy. That is why we have to learn to practice touching what is not wrong—inside us and around us. When we get in touch with our eyes, our heart, our liver, our breathing, and our non-toothache and really enjoy them, we see that the conditions for peace and happiness are already present.
Sometimes I really regret that I did not live in those times when there was still so much that was new; to be sure enough much is yet unknown, but I do not think that it will be possible to discover anything easily nowadays that would lead us to revise our entire outlook as radically as was possible in the days when telescopes and microscopes were still new.
As the new work fills my notebooks, I've come to realize that the characters in my stories were so real because I really did want to get close to people, I really did want to know them. It was just easier to do it on paper, one step removed.
Back in my late teens, early 20s I always wanted to be a James Bond girl. That's totally different now. My life has changed so much, my priorities have changed. I don't know if I really have a dream role. I want to go to work every day where there's a role that I really enjoy and I believe in.
I think these are such different films that it's hard to compare, because with Quentin we were all just like, it was like a party every day, you know, it was like that film was just like silly, it was just really for fun, it was really, it wasn't, you know, to make a huge impact. I t was just we wanted to have fun and go to work every day and do a fun movie. And this is like huge, I mean, this is like huge studio film, there's a ton of action, it's like really hard work.
Films are a very tangible thing. It's making something with your hands. I think all of these guys - Roger and the whole cast of this movie - what they did was they were willing to make mistakes. They were willing to make movies that were really bad. But they learned.
I often accompanied my father. I really liked riding with him on his bicycle on Saturdays. He was very fond of fishing. I don’t think I liked fishing. I mean, you had to sit quietly and still, but I enjoyed the ride. And it was fun, it was fun. I mean, as I say, you didn’t go around lugging a deep sense of resentment. We knew, yes, we were deprived. It wasn’t the same thing for white kids, but it was as full a life as you could make it. I mean, we made toys for ourselves with wires, making cars, and you really were exploding with joy!
A lot of people will think I changed the book: ‘so you’re the tiger instead, you’re the tiger who ate the cook.’ That’d be totally expository, like in the book, ‘you’re the tiger’ and then it stops there. That seems to have the magic touch. I bring everything together. That’s why he made up the story, the whole thing becomes internalized. That might be the magic, but all I did is not so much interpreted, but try my best to keep everybody still staying in the movie. And I was like, ‘God, it’s so hard to do.’ I make movies for a long time. It doesn't get easier.
I don't know whether having cancer has changed my attitude to life. I can't even say that now I live every day to the fullest I think I always have, really.
The full thing is God-given. I don't know how I got my swing or what I did. I know I worked every single day. I know I did as much as I could with my dad. But I never really looked at anything mechanical. There was nothing really like, 'Oh, put your hands here.' It was, 'Where are you comfortable? You're comfortable here; hit from there.'
I really like the last three Luna records a whole lot, especially 'Penthouse.' I think of all the records I've done, that's my favorite. I don't know why, really. I don't know why some records turn out better than others. It's not a science.
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