A Quote by Kelly Marie Tran
When you're really young, you tend to fall in love with characters. If you start seeing the same type of character everywhere and realize that they don't look like you, or they don't speak like you, you start wanting to change who you are. That's something that I did when I was a young kid.
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You start to fall in love with characters as you work with them, and anytime that you care about your characters and you realize that you're gonna have to kill them, that fear creeps in. It's sad. It's scary, and it's also sad. Because you like these people.
In a story, for example, you'll start off with a character who is a little bit of a cartoon. That's not satisfying and you start revising. And as you revise you always are making it better by being specific and by observing more closely, which actually is really the same as saying you love your characters. The close observation equals love of them.
When you start learning how to give when you're young, when you get older it is second nature. Just like stealing. Start young and you keep on stealing forever. Ask my politicians.
It seems like magic is something kids start really young.
You're younger, you might want to go to clubs and kick it, but as you get older, you start seeing that life has more meaning to it. The people that you love are the people you want to start trusting and start wanting them to trust you and start respecting them.
Black has depth.. you can go into it.. And you start seeing what you're afraid of. You start seeing what you love, and it becomes like a dream.
There's a time and place for everything. You're younger, you might want to go to clubs and kick it, but as you get older, you start seeing that life has more meaning to it. The people that you love are the people you want to start trusting and start wanting them to trust you and start respecting them.
There's a reason why start-ups, especially disruptive start-ups - like Google or Amazon or Uber - are full of young people. That's because young people are not as wedded to the old fashioned ways of doing things.
When you're sitting down and you're blocked and you just start writing and something in your mind just clicks, you start seeing connections and so on, you really do feel like you're channeling something else.
When you start to find balance, then you start to ask more important questions, like, 'Who am I really?' That's when you start seeing that every single person around you is a human being just doing the best that they can.
I'm always thinking about young people first when I'm writing music. Whenever I can reach that young person and inspire them to go after their own dreams, start their own movement just like I did with Wondaland. Starting their own tribe and showing people that we are not all the same, we're not all monolithic. I think that's what it's all about for me.
When young people fall in love, they start to understand my music.
When you graduate is when you start to find yourself looking at the information in the audition breakdown and it says tall black African - or African-American built such and such. And you start seeing these character descriptions and seeing that, oh, you're only going in for the ones that are described as your look.
I start with an idea or a problem or a conflict, or even a situation that might be pertinent to the lives of young people, then the characters grow from that point. I try to make strong characters that change and develop and learn from their mistakes.
If you see young tulkus when they're with other little monks, it's like in a Broadway show or something where the main character is spotlighted and the others kind of fade into the background. And you think, who is that tulku? Because that's all you see, even though they're all dressed the same and they're all the same age, but it's like the tulku is illumined. They don't look like the other ones.
I got very self-conscious about the way I look. So I, especially with young people coming into the industry and young actors, I feel it's really terrible to start with their looks. Right? Because especially for women, it just puts you in your head at a time when you should really be focused on your work and what you're saying and doing and not how you look.
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