A Quote by Kelly Masterson

None of my movies have ever made any money, so it's not about commercial success for me. It's always the same thing. I want to create something valuable, something unusual and different that the world has never seen.
There's nothing else exactly like it in any other art form, the orchestration of so many different elements. It's endlessly fascinating what can be done editorially. You can create meaning where there was none, you can create feeling where there was none, you can create narrative where there was none. Two frames can be the difference between something that works and something that doesn't. It's fascinating.
When I was younger I thought success was something different. I thought, " When I grow up, I want to be famous. I want to be a star. I want to be in movies. When I grow up I want to see the world, drive nice cars. I want to have groupies." But my idea of success is different today. For me, the most important thing in your life is to live your life with integrity and not to give into peer pressure, to try to be something that you're not. To live your life as an honest and compassionate person. To contribute in some way.
The movies that made me want to make movies were action movies, and thrillers, and Kurosawa films, you know, where you have an opportunity every day to shoot it in an unusual way. I was looking for something like that.
I don't feel that way now. I don't want to make movies for the 10 people who feel exactly the same way about the world that I do. I want to make movies that many, many people see, and I want to say something that I believe is important in a way that people who don't agree with me can hear. And that involves making different kinds of choices, but it's not like a compromise that I'm making. It's that something else interests me, something else is appealing to me.
The easiest thing is to create something no one has ever seen before. There's a reason no one's ever seen it - because someone tried it, and it didn't work in the real world.
It's all about making an experience. You go to the movies to see something you've never seen before. You want to get different people out there with different voices. So you see awesome huge spectacle or just a small unbelievable story you've never seen before.
I grew up on certain movies, particular movies that said something to me as a kid from Missouri, movies that showed me places I'd yet traveled, or different cultures, or explained something, or said something in a better way than I could ever say. I wanted to find the movies like that.
I'd never even seen orange cheese. I mean, who decided to make that orange? And so there was something different about me that they wanted to crush. I don't think it had anything to do with my physicality, but every single day in school it was, "You're the ugliest thing I've ever seen."
Anyone who has any kind of success in Hollywood wants to make more expensive movies and spend more money, be bigger. I think it's unusual to have success and want to stay small.
I don't know what's in store for me, but I know that I want to create work, and I want to create an environment where I can bring in my favorite people and collaborate with them, and do something that is so much weirder and so different from what you'd see in commercial film.
I grew up on particular movies that said something to me as a kid from Missouri, movies that showed me places I'd yet traveled, or different cultures, or explained something, or said something in a better way than I could ever say. I wanted to find the movies like that. It was less about a career than finding the films I wanted to see.
You can create meaning where there was none, you can create feeling where there was none, you can create narrative where there was none. Two frames can be the difference between something that works and something that doesn't. It's fascinating.
I was always flattered, but I just want my movies to make money. I want to be commercial. I'm never the person who says, "I don't care if people don't see my movies." I always want people to see my movies.
We will build the city from scratch. It will be drone-friendly and a center for the development of robotics. We want to create something different. Neom is a place for dreamers who want to create something new in the world, something extraordinary.
The biggest thing about me, as an actor, is I'm never a finished product, you know? I always want to try something or be in a new genre because, one, it's much more fun to do that because you're not doing the same thing over and over. One of the greatest reasons is that it keeps stretching you as an actor. So, hopefully, my method is that it makes me a better actor, and a more believable actor, so then, the more experience I have in any way possible, in a drama or a musical genre, different formats of working, the better I can be on all different platforms.
The success of Watermark surprised me. I never thought of music as something commercial; it was something very personal to me.
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