A Quote by Kelly McEvers
The way the housing market imploded is obviously not an easy thing to explain. It's a little bit easier in a book - people can take their time, you can sort of go back and reread - but in a movie you've got two hours to not only explain things like collateralized debt obligations, but you also have to make it entertaining.
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In my experience, very few people walk out of a movie. You have them for two hours, and you're free to explain or not explain whatever you see fit.
You can't explain collateralized debt obligation in a novel - it's too draggy.
I hate it when people try to explain music. The best thing about music is that it's invisible. If you make a song and someone is like, 'Explain it,' and you explain the message, it's like - poof. It all crashes down.
The reason I want to explain that you're probably never going to get revenge a sociopath and you're also probably not going to redeem this person, is that it is not a project that will ever succeed. At present, if a person does not have a conscience, we know of no way to instill one - not even a little bit. It's not like something you can take off the shelf and put into somebody's brain. It makes me so sad to hear people say, "I think I can see just a little bit of a conscience."
When you hire a person to plan your wedding, this does not include securing the groom. Plan to get married on Friday the 13th. In years to come this will make it much easier to explain why things turned out badly. To look beautiful at your wedding, take time to plan it. It took me a long time to find two ugly bridesmaids and a frumpy little flower girl.
I told my parents I wanted to be an actress years before I wrapped my head around what my dad did for a living. It's not easy to explain the job of the television journalist, especially when a lot of my friends' dads had jobs that were a lot easier to explain, like a lawyer, a banker or a doctor.
This is not a documentary. Are there essential truths that are captured by this movie? I think unquestionably the answer is yes. Do you have to change certain things to make it work? The book is called '13 Hours'; the movie is two hours long.
There is much unexplained in the world. It behooves us to be wary at all times. Just when you think you've got the hang of it, along comes string theory, collateralized debt obligations or Björk's new album, and bam! You're as confused as you were when you first started.
One thing I do is (and I realize this might sound nuts), every month or so, I try to take like an Etch-a-sketch [so to speak], and I clear my faith. I go to zero, clear the deck. And I start adding things back to my faith, one at a time. What would be the first thing I'd add back? Jesus. It sounds a little bit like a Sunday school answer, but that's what I do. Then what's the next thing? And I'd say, well, loving people. And then the next.
Instead of building housing in a wealthy neighborhood and saying, here you go, here's some under the market which will, by the way, drop the market for everyone's housing. Go into the lower income neighborhoods and say, here's a business incentives, so that people can get jobs.
Obviously it's easier when I' m doing the adapting myself. But my feeling is, your potential upside far outweighs the downside. Ultimately, they [moviemakers] can't change your book. Your book remains on the shelf the way you wrote it. If they make a great movie of your book, then you have the equivalent of millions and millions of dollars of advertising for your book. If the movie's not that good, that doesn't mean the book's not good. It doesn't change what you've already written. It has the potential to reach more people.
That movie [A Series of Unfortunate Events] told four books in two hours, and we have two hours per book. So we have eight hours to tell four books, and if people watch we'll get to tell more of them. There's only thirteen books, so there's only going to be two more seasons, but that allows for a lot of time to be in character and to maintain character.
I try to communicate with the musicians the way I communicate with the filmmakers. I'm not going to say to them, can we be a little bit more presto here. Hang on, this should be a bit more exciting, or I try to explain the scene to them, or I try to explain the context the notes are supposed to live in.
I'm interested in trying to explore what I think is the truth at a given time in my life, and part of the process of being honest is - in my mind - talking about the idea that you're watching a movie. You're sitting here watching a movie. And I like that. It appeals to me intellectually, and also in a way I can't even explain.
Darwinism doesn't explain where gravity comes from. It doesn't explain where thermodynamics comes from. It doesn't explain where the laws of physics come from. It doesn't explain where matter came from.
I can't explain chemistry. I really can't. I haven't got a clue what it's all about. It just happens. It's like falling in love. You can't explain why you fall in love or explain why it's this particular person.
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