A Quote by Kelly McGillis

Love isn't intellectual - it's visceral. — © Kelly McGillis
Love isn't intellectual - it's visceral.
Intellectual understanding does not always bring visceral belief.
The purpose of art is to collide the intellectual and visceral together at the highest speed possible.
When you're watching Psycho, there' s that moment when you have a visceral reaction to watching someone being stabbed. And then you have the intellectual revelation that you're not, and that's where the celebration comes in.
Intellectual culture seems to separate high art from low art. Low art is horror or pornography or anything that has a physical component to it and engages the reader on a visceral level and evokes a strong sympathetic reaction. High art is people driving in Volvos and talking a lot. I just don't want to keep those things separate. I think you can use visceral physical experiences to illustrate larger ideas, whether they're emotional or spiritual. I'm trying to not exclude high and low art or separate them.
I love my cameras. I love contact sheets. I love the visceral thing of film and I'm not positive that I can replicate my lighting digitally. My assistants tell me I can, but, just stubborn I guess.
I won't do this movie because I don't believe the love story," she told Selznick. "The heroine is an intellectual woman, and an intellectual woman simply can't fall in love so deeply.
My love of computers, besides being practical, is very direct and visceral. I love the way things look on the screen.
Love is visceral and real. Love is physical. It embraces all things. Love doesn't space you out or take you out of this world.
I had a visceral connection to the period [of Korean War]. By visceral I suppose I mean emotional. But every fiction requires so much that is not that so I did a lot of other research and a lot of thinking, a lot of struggling there.
I love a visceral sound, the kind that hits you in the belly.
I love the rehearsal process in the theatre, and the visceral sense of contact and communication with a live audience.
Intellectual elegance [is] a mind that is continually refining itself with education and knowledge. Intellectual elegance is the opposite of intellectual vulgarity.
The intellectual is not defined by professional group and type of occupation. Nor are good upbringing and a good family enough in themselves to produce an intellectual. An intellectual is a person whose interest in and preoccupation with the spiritual side of life are insistent and constant and not forced by external circumstances, even flying in the face of them. An intellectual is a person whose thought is nonimitative.
The intellectual is always showing off, the lover is always getting lost. The intellectual runs away. afraid of drowning; the whole business of love is to drown in the sea. Intellectuals plan their repose; lovers are ashamed to rest. The lover is always alone. even surrounded by people; like water and oil, he remains apart. The man who goes to the trouble of giving advice to a lover get nothing. He's mocked by passion. Love is like musk. It attracts attention. Love is a tree, and the lovers are its shade.
We are forever looking outside ourselves, seeking approval and striving to impress others. But living to please others is a poor substitute for self-love, for no matter how family and friends may adore us, they can never satisfy our visceral need to love and honor ourselves.
Cecil Castellucci is writing Shade, who is the perfect writer for it. I love her young adult stuff, and it's pretty hardcore and visceral, so I knew she was going to bring that to the book.
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