A Quote by Kelly Overton

When I'm shooting things, I'm training. — © Kelly Overton
When I'm shooting things, I'm training.
I only wish the sport of shooting was more reachable and there were training centers all over the country where youngsters could go and try shooting.
Every day in normal training, I'm trying to score more. And after training, I stay to practise my shooting as well.
There are so many things going on in your head while shooting bold scenes. On screen it might look sensual, or hot and great. But when you're shooting for it, you need to take care of so many things.
Training not only anchors my day but also allows me to tap into endless energy and intensity. Whether I was performing at Wrestlemania or shooting a 16 hour day on a movie set, training allows the floodgates to open. It carries me through the rest of the day and night.
The shooting of the guns, that was kind of funny, because rolling a cigarette and shooting a gun aren't like normal things for a 13-year old girl!
It becomes a lot better for the actors when we're 'shooting, shooting, shooting,' instead of waiting around in a trailer for something to happen.
While shooting in Patiala, I never felt as if I was shooting here for first time, such was the love I got from the locals and Punjabi actors shooting with me.
Finishing is different to shooting. If you work at in in training sessions then you will just do it naturally during the game.
When I decided to see what Nascar was all about in 2005, it was an intellectual project, the same reason I went to the shooting range on West 20th Street and tried shooting a rifle at paper targets. I was addicted to both things instantly.
When a man is shooting a handgun, it's just like he is shooting because that's his job, and he has no other choice. It's no good. When a girl is shooting a handgun, it's really something.
It's always challenging when you're shooting a film. Shooting things out of order and keeping continuity on all levels is always for me the most challenging thing.
I went from elementary school to proper training, operatic training, and I went on to the Motown University and learned a lot of things from some wonderful people.
Training and playing are different things. I've noticed it. If you come in and you realise after six minutes that it is tiring, then that is a clear difference to training.
You can help build momentum in training by keeping the pace and intensity high. Make things happen in training, and then you can transfer that onto the pitch.
I was at a Madonna show many, many years ago and I was in the sweet spot and she came out and I mean it was the best part of the show. And I was shooting, shooting, shooting, shooting. And I'm like, "God, I must have shot a hundred pictures have I not run out of film?" And I opened the back of my camera and there was no film in there. So that happened to me only once.
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
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