A Quote by Kelly Reilly

I love strong women in films that are allowed to play women and not male fantasies. — © Kelly Reilly
I love strong women in films that are allowed to play women and not male fantasies.
It was believed by the purveyors of male fantasies in films that nurses were a popular male fantasy because they were caring, and they were women who could legitimately touch men all over.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
There's something about Southern women that is so unique yet so universal. Strong southern women are allowed to be soft and feminine and have a sense of humor. But what I love about Southern women in particular is their universality.
I seem to be getting a lot of things pushed my way that are strong women. It's like people see Hackers and they send me offers to play tough women with guns, the kind who wear no bra and a little tank top. I'd like to play strong women who are also very feminine.
I've been misunderstood when it comes to women. I've got a big heart and a little brain. But I love women being women; there's something about their skin. I do love strong, independent women, but they are definitely complicated.
The bonding of women that is woman-loving, or Gyn/affection, is very different from male bonding. Male bonding has been the glue of male dominance. It has been based upon recognition of the difference men see between themselves and women, and is a form of the behaviour, masculinity, that creates and maintains male power… Male comradeship/bonding depends upon energy drained from women.
Sometimes people are like, 'Do you want to play strong women?' I don't have to play strong women in order to feel like a strong woman myself, but I do feel it's important to play characters that are complex and interesting and believable.
It's interesting when people say, 'You always play strong women,' because as far as I'm concerned, women are strong. I think that's what women are. We have got that vulnerability, but we have got that strength. We are survivors.
I've been lucky enough to play lots of real women - flawed, strong, independent women - and I love it.
You know, there's nothing damnable about being a strong woman. The world needs strong women. There are a lot of strong women you do not see who are guiding, helping, mothering strong men. They want to remain unseen. It's kind of nice to be able to play a strong woman who is seen.
I think that's the kind of women that people are interested in. They're interested in strong women characters who are stronger than the male characters sometimes, in some ways. That's what's interesting and attractive about women.
Definitely, India is a male-dominated country. Our films and society are also male-dominated and will always be. But its backbone will always be women because women give strength.
The characters that I want to play are interesting women. I don't care if they're good women or bad women or vulnerable women or women with a lot of faults or women that we dislike intensely who are malicious.
It's been a long struggle. But we've made huge progress. I mean, when I started at Berkeley, women weren't allowed to be part of the band. No women were allowed into the male faculty club. I mean, I was there. I remember that! The worlds were so divided. So the change has been huge.
Meryl [Stripe]spoke out about the low percentage of female critics on Rotten Tomatoes. Why are there 760 male critics and just 168 women? You are immediately [biased] on what kind of films you are being told to go see. What are you told are good films? Male films.
I don't think women are that vastly different from men. I'm a bit of a woman myself. But I'm not a feminist filmmaker. I'm not making a feminist thesis to prove that women are important. I just happen to make films with strong characters that are women.
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