A Quote by Kelly Rohrbach

I'm very drawn to subversive comedy like Alexander Payne and Jason Reitman. But at the end of the day, if you want to do great work, you have to pay your dues. — © Kelly Rohrbach
I'm very drawn to subversive comedy like Alexander Payne and Jason Reitman. But at the end of the day, if you want to do great work, you have to pay your dues.
I really like dramas that have a tone of comedy in them or the opposite, and those are done by people like Alexander Payne and Jason Reitman but also Spike Jonze and David O. Russell and Paul Thomas Anderson, the Coen Brothers.
How much do you have to pay someone to be in a George Clooney/Alexander Payne film? Nothing! Because everyone in the world wants to be a part of it. Therefore you pay nothing. And that continues until you become something they need... I'm not that kind of actor. I'm blue collar and very replaceable.
How much do you have to pay someone to be in a George Clooney/Alexander Payne film? NOTHING!! Because everyone in the world wants to be a part of it. Therefore you pay nothing. And that continues until you become something they need... I'm not that kind of actor. I'm blue collar and very replaceable.
I loved 'About Schmidt'. I like Alexander Payne's work a lot.
I truly loved Jason Reitman. I was there on his first film, 'Thank You For Smoking,' and I'd go work with him to do anything.
I wanted to like 'Up in the Air' - I like Jason Reitman - but Vera Farmiga left me cold.
What you want is for music to love you back. That's why you pay your dues. You want to feel like you belong and are part of this symbiosis, metamorphosis, whatever you want to call it.
Alexander Payne's very specific. His scripts are always complete when you start working on them.
You're only great if you win. I mean, Alexander wasn't Alexander the Mediocre or Alexander the Average. He was Alexander the Great, and there's a reason for it.
I keep joking that I'm in Jason Reitman Film School, because I keep asking him questions every single day about directing and I have a list of things that he's told me to do and not do and I definitely couldn't learn from a better person.
Because I was familiar with Taika's Watiti work and there's a very subversive, funny streak amongst all of them. I don't think he turned [Hunt for the Wilderpeople] into a sort of drama, there's too much dark material underneath it for it to be a comedy; it wasn't designed to be a comedy. I think it's a comedy... I think it's a drama that's funny; which is different.
Jason Behr and Amanda Brooks were cool to work with. Jason and I are fast friends to this day.
People who put money in the church basket and people who go to church and pay the pastor: that isn't real philanthropy; that's just like you belong to a country club. You pay your dues to belong to that church, so you pay your tithing or whatever it is.
I would love to work with Quentin Tarantino - he's my number one. My ultimate. I would love to work with Paul Thomas Anderson, Alexander Payne - Pedro Almodovar wouldn't be too shabby. There are so many good directors, but those are some of my favorites.
The ones I love most are the people who the flaws show. I like doing characters that we see the total person. If people get afraid to show the flaws because they think, "Oh, then nobody will like them," then you end up with a lot of products, and everybody wants to be frigging heroic all the time - not what people are trapped in every day, like your skirt being in your panties after you walk out of the bathroom. Being human. Sometimes when people are drawn to your work, they're drawn because they recognize themselves or their loved ones or their neighbor in it.
You got to pay your dues if you want to sing the blues...And you know it don't come easy.
This site uses cookies to ensure you get the best experience. More info...
Got it!