A Quote by Kelly Rowland
I felt like there was a void in the marketplace in girl groups. Musically, there is something truly exciting about harmonies in one song. A group has more to offer.
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You are hearing this song, and you're 16, and it's a song about love, or a girl. And then maybe there's a girl at school that you like. So you're going to be thinking about that girl. That song is sort of about that girl. The songwriter doesn't know that girl, obviously. He wrote it for something else. But there's the specific meaning with the universal again.
I like The Four Freshmen, anything with good harmonies, some Beach Boys. I like the girl groups as well, like The Dixie Cups and all that.
A song like 'Loyal To Me,' for example, I originally wrote that for a girl band in mind, that's why it has so many harmonies and it's got that sort of '90s/R&B feel to it.
'Girl In A Country Song' is basically a song about what it's like to be the girl in modern day country songs and how hard it is to be this perfect Barbie doll girl that we are portrayed as.
Jewish women are very exciting, as exciting sexually as any other group. Even so, my advice to a young man marrying a Jewish girl would be to have three and a half years of foreplay. Of course, most girls in every group are reserved about getting down to it. They don't usually do it right away. But once they do it, women are bananas. They don't wanna do it, you can't make them do it, there's no way they'll do it - but once they do it, they don't let you alone.
My favorite song to write was a song called "Always" I wrote it about a girl who, at the time, I had feelings for her for a long time but she never really felt the same back. So it's one of my more personal songs and I'm very proud of it.
When I originally wrote "Jealousy," it was more like an exercise to try to write a girl-group kind of pop song. It was really contrary to most of the material I'd ever written. I didn't pay much attention to the song after I'd recorded it. I didn't really perform it at all the last 20 years. When it came time to make the new record, I decided to make peace with the song and have fun with it.
A song like 'Heartbreaker,' it's a song about learning - it's not necessarily a song about heartbreak. It's more than that. We write those songs to relive how we got over something.
There was something about the music on that tape. It felt different. Like, it set her lungs and her stomach on edge. There was something exciting about it, and something nervous. It made Eleanor feel like everything, like the world, wasn't what she'd thought it was. And that was a good thing. That was the greatest thing.
On student films, everyone is pitching in to do everything, and I never felt like I was a part of a group before I started acting. I always felt like I had friends in this group and I had friends in that group, but I never felt like I had my group.
'Something More' is a song that I wrote not necessarily about country radio, more so about a lot of songs that were being pitched to me. I wrote that after song after song after song was just the same song, just a different melody, so I was just looking for something more to put on the record.
I just like a good song, it doesn't matter. I mean, I am into girl groups and stuff like that. I listen to anything.
Everyone has their own experiences with song. It means one thing to me and it means something entirely different to somebody else. I have a song called 'Apple Cherry' which is a song about unrequited love and to this couple in London, they fell in love to this song. The girl in the relationship called me and said she wanted to propose to her girlfriend could you sing 'Apple Cherry' while I do it? I was like 'Really? That's not a love song about getting together'.
There's been a big void out there, in terms of where I've been and what I am currently working on, I'd like to fill that void now and share my exciting plans for the future.
Well, the difference in working with the Supremes and the other girl groups like Martha and the Vandellas, and the Marvelettes, you let the material dictate to you, uh, really, how you worked with the group, and with the talent, and the personalities. All of these things was instrumental in having all of the groups, uh, retain their own identity. Uh, and, and the material had a lot to do with it, you know.
I can get into my own head [and] not have to really envision that girl. I am that girl and I know what I want something to feel like and move like. It's really inspiring, of course, to see so many girls wearing the line and I love their take on it, it almost feels like this religion or something at this point. It's really exciting.
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