A Quote by Kelly Rowland

One thing that I had to remember in my personal journey in the music industry and coming up in the music industry was how many times I was told no. I was signed, I was dropped, I was signed, and I was put on a shelf.
I know for a fact I've put in the same amount of hours as every up-and-coming male rapper right now, if not more. I'm a feminist with regard to my music and the music industry.
I hate fame. There's this assumption that everyone wants it - that by being a musician, I've signed up for it at some point. But personally, what I signed up for is sharing my music. I've always said I'd rather have four No. 10 songs than one No. 1 hit.
And that was what I was asking to happen and I was told that the indictment would be signed, but I was coming to the end of my one-year contract, I had to return to New Zealand for personal reasons.
The problem is we never had a separate music industry, we always had film music industry. The west has it and that's why musicians are stars and icons there.
I warn the industry, they shouldn't underestimate the fact that Rob and Fab still have a lot of fans. And they should try to forgive us. Because we weren't bad for the music industry. We changed the music industry.
Everyone in my industry, the movie industry, is looking at the music industry and going, 'How do we avoid that collapse?' And I don't know if you can, to be quite honest!
What happens to a lot of artists in the music industry right now is the following: The music industry is plummeting real fast. So as the industry plummets, what happens is that there is no deals being made.
I think the States is a huge part of the music industry worldwide. There are so many other artists and music industry people here, so I think to be working my audience here is definitely a go.
For me, the most fun times in this office are when we're listening to music. That's what you signed up for, not to just make deals.
My whole life has been completely about being underestimated. I remember when Blink signed to a major label, and we had a debut party for the signing. No one came to party, only the guy that signed us. And I remember sitting there, like, "S**t, no one likes this."
Only the Punjabi music industry has stood the test of time. Bollywood has finished the regional music industry of other languages, but the Punjabi music scene is still flourishing.
The reality of the music industry is that I was a 22-year-old college graduate who was able to walk into boardrooms and be the one in charge. It's incredibly empowering. I wasn't ready - I definitely was not ready - but I was prepared as I possibly could have been because I had studied the music industry.
I went to America on holiday when I was 17 and, before I knew it, I'd been signed up by an agency and had these obligations I didn't understand, but which I couldn't say no to. This industry chose me. But I did choose to make it fulfilling.
I'll say about Fueled By Ramen is, I don't know what anyone else's experience has been, but we signed to them as Fun. We already had a fanbase, we already had music out there so when they signed us they were signing our vision. I always think it's so weird when people think that Fueled By Raman are trying to change us or mould us into something else, as we weren't a bunch of kids playing in a garage who joined a label and then collectively worked on a vision, like, they signed us with the intention of letting us be Fun.
A lot of people ask me, 'How did you have the courage to walk up to record labels when you were 12 or 13 and jump right into the music industry?' It's because I knew I could never feel the kind of rejection that I felt in middle school. Because in the music industry, if they're gonna say no to you, at least they're gonna be polite about it.
There's something missing in the music industry today... and it's music. Songs you hear don't last, it's just product fed to you by the industry.
This site uses cookies to ensure you get the best experience. More info...
Got it!