A Quote by Kelly Sue DeConnick
Going into the second arc, I'm making a conscious effort to do something I say I never do, which is to change my style because of feedback. I'm trying to make 'Pretty Deadly' more accessible by being more clear in the writing.
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By hook or by crook, we're going to make sure that when I leave this office, that the country is more prosperous, more people have opportunity, kids have a better education, we're more competitive, climate change is being taken more seriously than it was.Those are going to be the measures by which I look back and say whether I've been successful as president.
I had started writing as a poet in a closed, post-Revival, claustrophobic world, where the shadows of the national upheaval and the intense effort - the intense self-conscious effort - to make a literary movement were still evident. Now we lived a life as writers that was more cosmopolitan, more open, that had more travel and exchange.
My informal writing style is a political choice, because I want feminism to be more accessible.
For me, it matters that we drive technology as an equalizing force, as an enabler for everyone around the world. Which is why I do want Google to see, push, and invest more in making sure computing is more accessible, connectivity is more accessible.
When you're researching things that have happened, the clear narrative arc is not there already. This is the problem of writing nonfiction for me - writing nonfiction which is about serious subjects and has serious political and social points to make, yet which is meant to be popular to a degree - what happens when the facts don't fit a convenient narrative arc? I guess that for a lot of nonfiction writers that is a central challenge.
Why do we make records? Because we want to say something. Why are you in art? Because you want to say something. The second you don't have anything to say, you stop making art - you might start making product. And I'm interested in being an artist.
I'm always making a conscious effort to be viable and accessible.
I'm pretty self-conscious, so I tend to work in a way where I say what I need to say and get out rather than revisit things. It's kind of a collage style. I realized that it had more emotional weight that way. I'll always be in the developmental stages as far as being a songwriter.
I don't really know how to do anything else except music. But I do. I've never felt more comfortable doing it. When I was put into arenas and stadiums when I was 27, I always thought somebody was going to say, 'No, they're not here for you.' You don't quite believe that they actually like you, because it's an extreme change in your life. Which is insane really, because they bought the ticket. So you start feeling more comfortable in your skin the more you do something, or the older you get.
Stage actors are usually much more conscious of speaking up and making sure that everyone can hear in the back of the theatre; a film actor probably thinks of that a little less. Unfortunately, there's a style of acting going round, especially with the younger actors, where they talk without even moving their lip. Maybe it's because my hearing probably isn't what it was 40 years ago but I'm sitting there going "What did they say"?
I like the iPhone, the iPad, all the various members of that family. But I like all the various technologies that are becoming available to make the world more accessible to people who are blind and with low vision. I also like that more and more people are committing themselves to close captioning so the deaf can really know what's going on. I like the position of making buildings more accessible by having ramps and various ways people who are paraplegic to be able to get around.
I have to go through that arc with Dolores, and I didn't know what my arc was going to be. We found out episode by episode, and the more it went on, the more I felt a change in myself and allowed myself to be strong and to get angry and to access emotions that I don't normally, and I think a lot of women don't because we're kind of conditioned not to. It's freed me in a way, and it made me find a strength in myself.
Writing style is something is a consequence of who you are. I think that I had a certain propensity for a style that I recognize in my early work, but that doesn't mean I didn't have to learn certain basics and the longer you write the better you get. The rhythms come from you. If the rhythm seem to echo the music, then that's delightful if people see that, but it's certainly not something that's intentional on my part. I'm trying to be as clear and precise as I can be and at the same time, I'm trying to be eloquent and witty and entertaining. I mean, writing should be a pleasure.
I think talking is as casual as blogging, and sometimes writing can be as casual as talking. My informal writing style is a political choice, because I want feminism to be more accessible.
When all actions are used for feedback, the consequence of making mistakes will be a corrective and appropriate response, because everything everybody does matters. ... The more selective you are in the feedback you accept, the more insane your reasoning will become as you will necessarily reject corrective feedback that would have led to better reasoning.
You cannot avoid making judgements but you can become more conscious of the way in which you make them. This is critically important because once we judge someone or something we tend to stop thinking about them or it.
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