A Quote by Kelly Sue DeConnick
Part of a writer's job is just spacing out, looking into the air and imagining things.
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It's akin to style, what I'm talking about, but it isn't style alone. It is the writer's particular and unmistakable signature on everything he writes. It is his world and no other. This is one of the things that distinguishes one writer from another. Not talent. There's plenty of that around. But a writer who has some special way of looking at things and who gives artistic expression to that way of looking: that writer may be around for a time.
I think that one of the things that we have to recognize is that the longer somebody doesn't have a job, the harder it is to get a new job. You know, the reality is that if you're out of job, and you're looking for a job, then the new employer's going to say, 'Well, why, you know, don't you have a job now? What's wrong with you?'
A writer's job is to cultivate what can go wrong. You're always looking for that dramatic arc of where things can fail.
A writer is an artist. They're creating things out of thin air.
An actor's only perception is of their character, and they're looking at one piece. A writer is looking at the entire story. They're going to see things that the writer didn't see because they're only looking through their lens.
I don't think an actor needs to necessarily go through his things to do his job. I think it's way more important to imagine. And then, when you're imagining, your experiences, your images and your own personal things will show up, but you keep imagining. You don't get stuck in your own personal things, otherwise you are telling your story in every character, and that's not interesting for anybody.
At Kentucky, that was my job - coming off screens, catch and shoot, spacing the floor - no hesitations. Just go right into my shot - don't focus on the defender.
I've tired of looking into the future, imagining all the things I want to have.
The problem isn't that the green jobs aren't sexy enough. It's that they're not plentiful enough. A young person looking for a job isn't looking just for a sexy job, they're looking for any job.
I've just been imagining that it was really me you wanted after all and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when you have to stop and that hurts.
I just try to be honest, because I think that's part of my job description as a writer.
When I'm singing, I can see so many people, and I can see their response and everything. And being somewhere like the Hollywood Bowl, I'm seeing those immediate people in front of me, but other than that, it's just dots, and I'm just imagining who's out there and imagining their responses.
If I find myself spacing out while I act, it's just not for me.
I had no real idea I was going to become a writer. It was just a game for me. I just liked pretending, daydreaming and imagining.
I come from a school of people, folk singers, and the tradition there is troubadours, and you're carrying a message. Admittedly, our job is partly just to make you boogie, just make you want to dance. Part of our job is to take you on a little voyage, tell you a story.But part of our job is to communicate the way a town crier did: It's 12:00 and all is well, or it's 11:30 and the whole Congress is sold. It's part of the job.
Carl Reiner particularly as a writer, a terrific writer. He's just turning out things.
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