A Quote by Kelly Wearstler

Everything is about color. If you look at magazines and advertising and television, the thing you remember is the color. — © Kelly Wearstler
Everything is about color. If you look at magazines and advertising and television, the thing you remember is the color.
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
The difficulty with color is to go beyond the fact that it's color ? to have it be not just a colorful picture but really be a picture about something. It's difficult. So often color gets caught up in color, and it becomes merly decorative. Some photographers use it brilliantly to make visual statements combining color and content; otherwise it is empty.
In teaching color, you teach people how to look something and see the tone in it and break it down to be able to paint it and reproduce that color. But then, I'm psychedelic, so I look at color differently. I like colors that are in contrast with one another, so that they flicker back and forth.
There's one thing which I hate about color films... people who use up a lot of their despairing producer's money by working in the laboratory to bring out the dominant hues, or to make color films where there isn't any color.
Everyone always says to me, 'Why aren't there more people of color on television?' I'm like, 'Why don't you ask a bunch of people who aren't putting people of color on television why there aren't more people of color on television?'
We all see color. We do. And anyone who says he doesn't see color is confused or isn't telling the truth. Except... and I know how this sounds, but I can't remember any point in my life where I saw other people and thought of their color.
Dark green is my favorite color. It's the color of nature and the color of money and the color of moss!
For her everything was red, orange, gold-red from the sun on the closed eyes, and it all was that color, all of it, the filling, the possessing, the having, all of that color, all in a blindness of that color." - Ernest Hemingway.
All students need to know about color is the basic color wheel and complimentary colors. There are many books on color theory; do not waste your time and money.
The fact is, that of all God's gifts to the sight of man, color, is the holiest, the most divine, the most solemn. We speak rashly of gay color and sad color, for color cannot at once be good and gay. All good color is in some degree pensive, the loveliest is melancholy, and the purest and most thoughtful minds are those which love color the most.
Flowers and flames. And color. Color as color, not as volume or light - only as color.
Color is all. When color is right, form is right. Color is everything, color is vibration like music; everything is vibration.
Color is life, for a world without color seems dead. As a flame produces light, light produces color. As intonation lends color to the spoken word, color lends spiritually realized sound to a form.
The true color of life is the color of the body, the color of the covered red, the implicit and not explicit red of the living heart and the pulses. It is the modest color of the unpublished blood.
Always been purple. Like I remember being in the first grade, looking up at the color charts, and saying, 'Man, purple is the best color, man, it's the best color, it just is the best color.' I have a lot of purple shirts and stuff, I'm always wearing purple.
Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.
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