A Quote by Kelsea Ballerini

People send me songs all the time that are literally no-brainer hits... but for me, I'm an artist because I'm a writer. — © Kelsea Ballerini
People send me songs all the time that are literally no-brainer hits... but for me, I'm an artist because I'm a writer.
I built a reputation as a songwriter in the industry before my own hits. People were used to coming to me for songs. There were songs like 'Clown' and 'Mountains' that were my songs that I wanted to keep. But the record labels saw me as a songwriter. It was hard to get people to believe in me as an artist.
My career was really odd, because I literally had a greatest hits album out and nobody knew who I was. They knew the songs, but they didn't know me.
have two A & R people who listen to songs for me all of the time. When they hear something that they think I will like, they send it to me. We usually listen to hundreds of songs before we find the right ones. It's a long process, but I believe that it's the most important in creating an album.
People know me for up-tempo songs because of my hits.
Here am I, send me; send me to the ends of the earth; send me to the rough, the savage lost of the wilderness; send me from all that is called comfort on earth; send me even to death itself, if it be but in your service, and to promote your kingdom
Truth is, you make albums, and some of those songs are hits, and some of the greatest hits albums have songs that weren't hits. You have a career, the reason why we're still around 10 years is that we do have successful songs.
The late 80s was quite a difficult time for me as an artist because I'd almost become a parody of myself. All people wanted was pink hair and for me to sing 'I Want to Be Free.' There's nothing wrong with either of those but people need to see you as a person for you to be an artist.
What can my enemies do to me? My paradise is in my heart, it is with me wherever I go. To imprison me is to provide me with seclusion. To send me into exile is to send me away in the Path of Allah. And to kill me is to make me a martyr.
I don't do filler songs. I don't get them. They don't make any sense to me. Why would I literally waste my time on a song that doesn't hold up to the same standards as the other songs on the album? I won't play it live.
School, for me, was a really, genuinely hard thing. It was hard because l am an artist. You can't send an artist to a place where we learn at a mad slow pace sitting in a class.
People ask me if they can send me material, and some people give or send it to me unsolicited, but I rarely buy jokes.
I don't have a special place or ritual for writing songs, basically I write songs whenever an idea hits me, in my hotel room, on the road, in the plane.
I feel like 'Next To Me' is a great introduction because it's a simple song that has a simple message for me. I wanted to introduce something that lyrically I'm proud of and introduces me both as an artist and as a writer.
I remember the first time my friend Colin Lewis, who used to be a judge with me on a show on MuchMusic called 'disBAND,' told me, 'I think I just found your next favorite artist to adore.' He sent me The Weeknd, and he was completely spot on. The Weeknd is literally on every playlist I have.
I've always kind of been a little skeptical about bands that won't play their hits. That's really arrogant to me as a music fan. I do want to hear obscure songs, but like most people, I want to hear the hits, so we always play them.
Most of the time, when I had hits as a soloist - maybe not so much with Simon & Garfunkel - I was surprised they were hits. I didn't know what the hits were. I never thought that 'Loves Me Like A Rock' was going to be a hit, or 'Mother And Child Reunion,' or '50 Ways To Leave Your Lover.' They didn't sound like what the hits sounded like at the time. Radio was more open to things that weren't exactly what every other hit was.
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