A Quote by Kelsea Ballerini

I love that on country radio, you can hear a George Strait song, and the next is Sam Hunt. I love that there's such a variety. — © Kelsea Ballerini
I love that on country radio, you can hear a George Strait song, and the next is Sam Hunt. I love that there's such a variety.
Every artist wants some sort of feedback, because you make this music and you hope people love it and you want to hear if they love it and what they love about it, what their favorite song is, what they think the next single should be. I like to hear those things.
I get asked all the time, "What is a George Strait song?" I know it when I hear it. I don't seek a specific tempo or lyric or melody. It just has to make sense. Maybe it is natural because I was given the gift to sing.
'Check Yes Or No' is a song that I reference in ''90s Country.' George Strait had a very crafty lyric: it tells a story then comes back around. Never gets old.
When I was 10, I would hear songs like "I Love You Always Forever" by Donna Lewis on the radio, and I want to make stuff that a 10 year old might hear coming out of the radio and think, "Yeah! I love this!"
I love variety. I love theater. I also love radio. I love language. But, the older you get, you need to earn money. You need to heighten your profile.
I always wished I had a song like that George Strait song, 'The Chair', 'cause it's basically just a guy trying to pick up a girl at a bar.
I love Florida Georgia Line. I love 'Round Here.' So if a fan wants to listen to that, and if a fan that wasn't listening to country music before is listening to 'Cruise' on Pandora, and after that a song by George Jones comes on, they may have never heard George Jones before. I think it's a good thing for the genre.
Just A Girl' was the first song that was on the radio for us. That was incredible because to hear that song on KROQ-FM in L.A., where we grew up, and you've listened to KROQ your whole life, and then to hear it on the radio was unbelievable.
I'm still really proud of Rage as much as I am of Audioslave. I still love it when I turn on the radio and I hear a Rage song. I love that.
I spend most of hunting season at the ranch. We all love to hunt whitetails, and we have a pretty good supply in South Texas. I also love to hunt elk in Arizona, mule deer in Utah, and I've been to Canada to hunt caribou.
It's been really cool to me to watch someone like Sam Hunt, whose lyrics and roots are in country but you can hear that he listens to Drake and Justin Timberlake - and that's OK. It allows songwriters to be more honest because it's like, 'This is who I'm listening to.'
Musically, I actually grew up listening to country music as a kid like George Strait, Alan Jackson... all those guys. So it was kind of weird crossing over from that to pop and R&B, but you know, I love Michael Jackson, Ne-Yo, Usher, R. Kelly, Drake, Boyz II Men.
Musically, I actually grew up listening to country music as a kid, like George Strait, Alan Jackson... all those guys. So it was kind of weird crossing over from that to pop and R&B, but you know, I love Michael Jackson, Ne-Yo, Usher, R. Kelly, Drake, Boyz II Men.
no form of love is wrong, so long as it is love, and you yourself honour what you are doing. Love has an extraordinary variety of forms! And that is all there is in life, it seems to me. But I grant you, if you deny the variety of love you deny love altogether. If you try to specialize love into one set of accepted feelings, you wound the very soul of love. Love must be multi-form, else it is just tyranny, just death
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
Sam [Phillips] wanted I Walk The Line up - you know, up-tempo. And I put paper in the strings of my guitar to get that (vocalizing) sound, and with the bass and the lead guitar, there it was. Bare and stark, that song was when it was released. And I heard it on the radio and I really didn't like it, and I called Sam Phillips and asked him please not to send out any more records of that song.
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