A Quote by Kelsea Ballerini

The whole heartbeat of the first record is young, which I think is what made it relatable to young girls. — © Kelsea Ballerini
The whole heartbeat of the first record is young, which I think is what made it relatable to young girls.
If I had killed somebody, it wouldn't have had so much appeal to the press, you see? But f-ing, you see, and the young girls. Judges want to f- young girls. Juries want to f- young girls. Everyone wants to f- young girls!
The record company started as an adjunct to that, to give young composers their first recorded performances; to give young musicians their first debut on a recording. These are all things that big record companies would never touch because there is no money in it!
The whole world is burdened with young fogies. Old men with ossified minds are easily dealt with. But men who look young, act young, and everlastingly harp on the fact they are young, but who nevertheless think and act with a degree of caution which would be excessive in their grandfathers, are the curses of the world.
The good thing about most of the girls that I've met on the road is that, regardless of whether they're cute or not, man - they can bring it onstage, which is inspiring not just for young girls and young people in general but for myself because then it makes me want to step it up.
I think that was the biggest learning lesson for me. I realized I can't be anything for anyone else if I'm not the best me for me. Now I just hope to kind of be that message for young girls to focus on yourself first always. Young people, I should say.
I was too shy, I think, to sing publicly. It takes a particular kind of person. And when I was young, I was not that person. In the first instance, when a record company said to me, do you want to try and make your record, my first reaction was, no, I'm not worthy - I couldn't possibly, and so on and so forth.
I got really interested in the language used in blogs written by young girls - a young person's aggression, which is always lacking from the visual world.
I think that the first book that made me think that I could try to be a writer - or that made me aware that a young black woman from the South could write about the South - was Alice Walker's 'The Color Purple,' which I read for the first time when I was in junior high.
I am fond of depicting the lives of young folks for one thing, and if you have parts for girls or young men, you must absolutely have young people to fill them - that is generally acknowledged now.
Showing young girls' realistically captured bodies in ads lets young girls realise that it's okay to have dimples, stretches, rolls, etc. since we're only human.
I think girls from a young age know what they want, and boys kind of have to keep up and catch up to them. Even in kindergarten, girls are pretty much the ones that like the boy first and the boys are like, 'Oh, I want to play with my trucks.' They think it's not cool. I think girls are definitely more ahead than boys.
Opportunities for young girls, like young boys, to go into academies from a young age does happen now in England, but it doesn't happen globally.
What it meant for me to win the Emmy is I found it. It's not just the award. It's what it's going to mean to young girls - young brown girls, especially. When they saw a physical manifestation of a dream, I felt like I had fulfilled a purpose.
I have almost no memory of them [St. Trinian's films]. I don't think I've seen them since I was quite young. I was a bit frightened of the girls. I fancied them. Even though I was young, I found them attractive and rather frightening. I've always been attracted to frightening girls! I'm married to one!
I want young girls that I mentor and young girls all around the world who want to be a model to be able to see that there's a great deal of sacrifice.
It's so important for young girls of color - young girls of any color - to see diverse women as the heroes of their own story.
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