A Quote by Kelsea Ballerini
In my opinion, it's all about the song and the performance, not the gender.
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Men are enforced into a kind of silence about their gender; they're supposed to not think of it as a performance. That's the definition of manliness - that it's not a performance; it's being yourself, authentic. Whereas women have understood gender as performance. Men have not yet made that quantum leap, or rather they're making it in many ways, they're not thinking about it.
No matter what you're doing, whether it's a makeup tutorial or an interview or a lip sync, performance is the essence of drag. It is gender performance. Being able to produce a performance is what a superstar has to do.
It gets frustrating when my male counterparts are questioned about their game or performance, whereas I am fielding questions on gender stereotypes and my ability to stay committed to the game on account of my gender.
I think every good song tells a story, as ambiguous and vague as it may be. And if you know what a song is talking about, it can only help your performance.
... that gender is a choice, or that gender is a role, or that gender is a construction that one puts on, as one puts on clothes in the morning, that there is a 'one' who is prior to this gender, a one who goes to the wardrobe of gender and decides with deliberation which gender it will be today.
When I go onstage, I'm going to work ...I feel like my performance is about an emotional connection. I want to connect with people, whether it's like a romantic song or a happy song.
I don't really have any opinion about my performance in 'Big Momma's House.'
In my opinion, love is not about gender, it's not about religion. Love has no borders and no boundaries.
I've always thought about gender, as someone who has been categorically "gender nonconforming" for my entire life, I was forced to think about it, but obviously I became more conscious of it as a social issue as I've gotten older. And as I've met more folks who are genderqueer or trans, it's been really enlightening to hear their stories, and it got me thinking about my own gender history.
I'm no longer beholden to the sacredness of the recorded song as some kind of ultimate standard by which every performance of the song is measured. I like to diversify, that there are multiple versions of every song. And the songs incorporate a lot of improvisation, and an element of chance, and I think that's exciting. There's no one true formulation of a song, they have various manifestations depending on the space we're in. I like that.
Gender is used as a control mechanism that's just wrong. Gender is never anything to struggle with; gender is something to play with. Once you're free of the rules that all these hierarchical, oppressive systems place on gender, that's the tricky part.
It's my view that gender is culturally formed, but it's also a domain of agency or freedom and that it is most important to resist the violence that is imposed by ideal gender norms, especially against those who are gender different, who are nonconforming in their gender presentation.
Sometimes there are ways to minimize the importance of gender in life, or to confuse gender categories so that they no longer have descriptive power. But other times gender can be very important to us, and some people really love the gender that they have claimed for themselves.
In my opinion, I think sarcasm and humor in a song, without turning it into a novelty song, is really charming.
Gender is not an easy conversation to have. It makes people uncomfortable, sometimes even irritable. Both men and women are resistant to talk about gender or are quick to dismiss the problems of gender. Because thinking of changing the status quo is always uncomfortable.
I think growing up, the assimilation of most cultural conventions typically encouraged by a heightened awareness of gender and sex encourages a sort of separation of the self. What's so special about 'Hanna' is that her upbringing has negated this indoctrination; she's almost absolved of the pressures of gender or gender itself.
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