A Quote by Kelsey Chow
I've always wanted to work with Sean Connery - there's something about his style, and his calm, cool demeanor that I find intriguing.
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When you see the documentary, you'll see that there were parallels. Michael and I both wanted Daniel Craig, and it was the same as it was for Cubby and Harry when they wanted Sean [Connery]. The studio wanted a star and wanted an American, and wanted this and that, but they determined, "No, it's Sean Connery."
And they stuck to their guns and fought for Sean Connery, and they were right to fight for Sean Connery. If it wasn't for Sean Connery, we wouldn't all be here. I was raised to fight for what I believed in, so I wasn't going to give up. I wanted Daniel Craig, and Michael wanted Daniel Craig, so we just stuck to our guns. Fortunately, we had the right management who really stuck with us. Thanks to that, we got our choice. He's been an extraordinary Bond, and he is very much the right Bond for the 21st century.
I'd always admired Sean Connery. Even though I wonder about some of his choices, I like him even in bad movies.
There is one confrontation scene toward the end of the picture. In the middle of the scene, I thought, That's Sean Connery! I don't know how else to describe Sean Connery. I still feel that way.
James Bond in his Sean Connery days ... was the first well-known bachelor on the American scene who was not a drifter or a degenerate and did not eat out of cans.
When a player keeps a calm demeanor on the court, it's easier for his ability to shine. The best response to an opposing player's physical or psychological tactics is to keep cool and come right back at him with the force of your game, not your fists. Revenge is always sweeter if your team wins the game.
I just loved the coolness of [Sean] Connery's Bond. He just sort of oozes cool.
Nick Flynn is another writer I admire - his fragmented sections, his playfulness with genre, his urgency. The palette in his work is his style, a voice that is singular, and that's what I think writers should strive for, to have a style and a voice that is only theirs.
I open the door wide to reveal the answer. They all look at Sean standing there with his hands in his pocket and the other hand around loaf of bread and it occurs to me all in a rush as they stare at him that Sean looks a little, just a little, like he's courting. I don't have time to explain the truth of it before Tommy laughs and jumps to his feet. "Sean Kendrick, the devil. How are you?
I know he's not an MMA fighter, but can we just talk about how great Deontay Wilder is? He's must-see TV. Not since Mike Tyson has boxing had an American heavyweight who could hit like him... and talk like him, too. I love his interviews, his demeanor, his fighting style... the whole package.
Carl Jung tells in one of his books of a conversation he had with a Native American chief who pointed out to him that in his perception most white people have tense faces, staring eyes, and a cruel demeanor. He said: “They are always seeking something. What are they seeking? The whites always want something. They are always uneasy and restless. We don't know what they want. We think they are mad.
Ask Bond-watchers of a certain age about the six actors who have slipped into Bond's Savile Row suits in the Broccoli franchise, and they might say it's really Connery and five other guys - since he, being first and being Sean, stamped the role with his sulfurous masculinity.
It is not the man who is beside himself, but he who is cool and collected,--who is master of his countenance, of his voice, of his actions, of his gestures, of every part of his play,--who can work upon others at his pleasure.
When I first met Sean Connery he was as charming and wonderful as I first anticipated. I left Rome thinking: even if I don't do this, at least I have had a day with Sean.
I once waited on Sean Connery. A long time ago. This was at the Caledonian Hotel in Edinburgh. They closed down the restaurant for him, and when he walked in with his morning paper, all the waitresses started squealing. He was a big guy, bigger than in the movies.
Fathers have a special excitement about them that babies find intriguing. At this time in his life an infant counts on his motherfor rootedness and anchoring. He can count on his father to be just different enough from a mother. Fathers embody a delicious mixture of familiarity and novelty. They are novel without being strange or frightening.
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