A Quote by Kelsey Grammer

I like audiences and performing and, you know... applause! — © Kelsey Grammer
I like audiences and performing and, you know... applause!
You can tell by the applause: There's perfunctory applause, there's light applause, and then there's real applause. When it's right, applause sounds like vanilla ice cream with chocolate sauce.
I guess I think like deep inside, I know that it's like, it's a different kind of performing, it's not really... You're not performing like a guitar player or a singer is performing, you know what I mean? So it's weird to be in the same type setup as one of those. 'Cause I'm not really doing much, you know, like technically it's not that hard.
Performing for live audiences and seeing the fans' faces is a thrill like no other.
Performing a play or a musical or something is obviously an incredible rush, but I don't think you get that immediate response like with comedy unless you get a round of applause or whatever.
Awards are like applause, and every actor likes to hear applause.
Comedy crowds - we always want to come out and ask you, 'How you feeling?' We always say that, 'By a round of applause, how do you feel?' Right? 'By a round of applause, how you feeling?' It's the only place in the world that you judge how you're feeling by a round of applause... There's never like a car accident, people all over the ground, people running over - 'Ma'am! Ma'am! By a round of applause, how do you feel? By a round of applause - she's not clapping!
People do still cheer for the President. And some of the military audiences are more likely to cheer than others. I have seen him speak lately in front of groups like Freedom House, where the applause was a long time coming.
Well, I'm not one of those people who needs the limelight. If I'm performing, that's what I'm doing. If I'm not, I don't long for it. I don't need the approval of an audience, or applause.
Through years and years of playing to various audiences, what I've learned is - and I think quite a few actors will agree with me - we're not always the best judge of that audience's reactions or not. And we discover, to our amazement, at the end of the show, they bring the house down with applause, and we thought, 'No way tonight,' you know.
The Broadway audiences are very vocal and seem very engaged. For certain shows, especially with a show like 'The Heiress,' the audience's reactions sound like 'The Jerry Springer Show' sometimes. That seems to be a very New York thing. Oh, there's also the entrance round of applause here, which we don't get too much in London.
I definitely love performing live because there are moments of spontaneity. And as much as you're performing on stage, I feel like the audience is performing, too.
When I was 3, I recited a poem at a festival in Passaic, New Jersey. The applause was tremendous, and it hit me that I could affect people positively by performing.
I have a children's theater background, so I grew up performing for child audiences; it's sort of my specialty. I know the child audience pretty well - or felt like I did because I performed for them so much. I studied a lot about the child audience, about theater. So it was naturally a place that I gravitated to.
When you can be your own best audience and when your applause is the best applause you know of, youre in good shape.
Performing in Detroit or performing in Chicago, you're on your own turf, but when you tour a show, the audiences change. You're in a completely different space; sensibilities change. I think I learned a lot from doing that - how written material works in different places, learning to have confidence, learning the idea of how to be adaptable.
Broadway is obviously a dream come true, but audiences everywhere continue to make performing a blast.
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