A Quote by Kelsey Grammer

You have to know you are in a comedy. You have to know that you are actually allowing the audience to participate on some level. When you go dark and mean it, then you don't let them in.
Sometimes, you know how good certain people are and then you actually get to see them have the kind of matches you know they can have in front of an audience that isn't used to seeing that. Then, in a few minutes the audience is on the edge of their seats, just through the sheer craftsmanship of their abilities.
To go in the dark with a light is to know the light. To know the dark, go dark. Go without sight, and find that the dark, too, blooms and sings, and is traveled by dark feet and dark wings.
The only way to resonate at a level that persuades is to know who you are addressing. If it's true that the Audience is the hero, you need to spend time thinking about them. Really getting to know them to the point it feels like they are a friend. May times we picture our audience as a large clump of strangers. Instead, you need to picture them as individuals standing in line to have a personal conversation with you. It's easy to persuade a friend, you need to think about your audience until you know them as a friend.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
I think that even at my most anxious, if I have a job to do or a role to fill, I know on some level I can step up and complete it. I mean, I'm probably not going to go bungee jumping anytime soon... but pushing myself to weather some discomfort now and then feels healthy.
I think that comedy really tells you how it is. The other thing about comedy is that - you don't even know if you're failing in drama, but you do know when you're failing in comedy. When you go to a comedy and you don't hear anybody laughing, you know that you've failed.
It's just if one person says anything it becomes click bait and then they start talking about the comedy climate which is hilarious, so no. You know what it is? People are adults and they know they're at a comedy show but every once in a while somebody isn't an adult and then for some reason, you know, it's lazy reporting. They're trying to create this thing that isn't happening. It's not like people go in there and are just sitting with laptops open getting ready to blog about every stupid joke.
I still don't really know what my style is. I like a lot of different kinds of comedy, I like watching it and I like being inventive and original. That's the problem with doing a longer set - you can't do every joke that you have because some stuff contradicts other stuff. Even when you know that the audience knows that you're joking and it's not true, you still can't do a joke about your family dying and then later talk about your Mom. I mean you want to keep some kind of cohesive order going.
I've had some friends that are actually homosexual. And, I mean, they know where I stand, and they know that I wouldn't have them anywhere near my children. But at the same time, they're people, and they're going to do their thing.
Men do tend to talk about things on a much higher level. Many of my male colleagues, when they go to the House floor, you know, they've got some pie chart or graph behind them and they're talking about trillions of dollars and how, you know, the debt is awful and, you know, we all agree with that we need our male colleagues to understand that if you can bring it down to a woman's level and what everything that she is balancing in her life - that's the way to go.
And you know, I said yesterday, you know, you know, if they're not going to - if the feds aren't going to do their job, well, then, I'm up to suing the feds to make them do their job! I mean, they sued Arizona, you know, we can sue them back! I mean, they're not - they're not enforcing the laws!
We're going to leave this planet at some point further than we have, we're going to go beyond the moon, we're going to go to mars. We all kind of know that on some level, I think actually. So there's an inevitability to human evolution, this being the next step.
There are people that have only seen me in dramatic stuff and they go, "Oh, I didn't know you could do comedy," and then there are comedy people that go, "Oh, I didn't know you could do drama." I want to try to do both.
You aim comedy up. If comedy is aimed down, you're a jerk. You laugh at the powerful as a way of bringing them down to your level or bring yourself up to theirs. Donald Trump doesn't actually laugh. I've never seen him do anything other than smirking. He doesn't have a sense of humour. He's just mean.
The audience loves to figure things out. They love it when a performer leaves a trail of bread crumbs for them, and they get to participate in the comedy.
I know people say plays are only an evening's entertainment. But you can make it mean a lot to the audience, even a farce or comedy.
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