A Quote by Kelvin Fletcher

The 'Strictly' experience is really like no other - the training and work that goes into it is immense. — © Kelvin Fletcher
The 'Strictly' experience is really like no other - the training and work that goes into it is immense.
To be a great composer requires immense experience... One acquires this by listening not only to other men's work, but above all to one's own!
I think every human being, born from mother, and at least the next few years, you see, received immense affection from our mother. So the child's first experience in this lifetime at the beginning, I think that immense affection from other is in our blood. So therefore, the whole rest of life, other people show you smile, genuine sort of closeness feeling. You feel happy. Even animals also like that.
Whatever work you do, you think are you doing this for the good of the nation? That's the basic training. The other basic training is discipline. Your life should be disciplined. The other thing they say is what work you get, do it well.
There's something really magical about trying to see things in new ways that go beyond, in some sense, the biological human experience. Light-field photography, too, goes beyond the human experience because our eyes work like conventional cameras.
Fiction writing and journalism, in my experience, are really excellent training grounds for each other.
You need an immense amount of luck and an immense amount of perseverance to even be on the playing field for success on a grand scale. You work as hard as you can for ten years so you finally have a chance to be lucky - It's really rare that somebody gets lucky. It's usually a combination of a lot of talent, a lot of hard work. People that get lucky also tend to be really great looking.
As I am a lyrical singer, I really have to work hard. I'm still really training on a daily basis on my vocals. Because of the lyrical training, it never really ends.
Education and training for all children to be equal in opportunity in all schools, colleges, universities, and other institutions of training in the professions and vocations in life; to be regulated on the capacity of children to learn, and not on the ability of parents to pay the costs. Training for life's work to be as much universal and thorough for all walks of life as has been the training in the arts of killing.
You know what really makes this embarrassing? The other day the president said the leaders in Iraq are 'ready to take off the training wheels.' That's what he said, 'take off the training wheels.' Then he goes out and falls off his bicycle. And they wonder why the rest of the world doesn't take us seriously.
I'm only 18 and playing on this big stage; sometimes you have to be really good in front of the goal. I feel like that's something that I really have to work on, and that's something that I'm going to work on in training.
I'm a folk preacher. A folk therapist. A folk musician. I come from authentically that which is of my experience. Therefore, the music is strictly from the soul, strictly improvisational.
It must be pointed out, however, that strictly speaking it is incorrect to talk of the dominance of the pleasure principle over the course of mental processes. If such a dominance existed, the immense majority of our mental processes would have to be accompanied by pleasure or to lead to pleasure, whereas universal experience completely contradicts any such conclusion.
When I feel like work and life are both going well, I feel like I can be fully present at both. I think the reminder to me is that both are super important, and I need to be able to feel like I can experience both in the way that makes me happiest. If I'm not happy in one or the other, it really affects the other side.
I really love training and being in good shape, and it's so much a part of my life now, so it never really feels like work to me.
One thing I really hate is experience. Experience for me doesn't work. Everybody's talking about experience this, experience that.
If it's strictly comedy, I like to bring some darkness to it. If it's strictly drama, I always like to lighten it up as well. I like to find some kind of dimension and make my characters human, so that it doesn't feel like a sketch and feels more like a slice of life.
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