A Quote by Kemba Walker

I'm pretty sure anyone that goes home to play where they're from, it's exciting for them. — © Kemba Walker
I'm pretty sure anyone that goes home to play where they're from, it's exciting for them.
There are no restrictions of taste, approach, or subject matter. The gatekeepers are gone, so the prospect for new and different voices is exciting. Or at least it will be if anyone reads them. And it will be even more exciting if anyone pays for them. It's hard to charge admission without a gate.
The truth is, if anyone saw my home life, I'm pretty sure it would look like other families' around the world. There's a lot of juggling to be done.
I think having the opportunity to get inside the skin of people that operate outside the law and normal moral and ethical restraints, and then to go home afterwards leaving them on set, is pretty cathartic. I get to play out all kinds of bad behavior without anyone actually coming to harm.
The triple is the most exciting play in baseball. Home runs win a lot of games, but I never understood why fans are so obsessed with them.
When I was a kid, I would come home from school, throw my bag, go out to play. My daughter comes home from school, throws her bag, goes to play, but sitting in front of the computer because their definition of play has changed. They don't go out to play. They play on the computer with their friends.
Be sure to play "Blessed Lord" tonight - play it real pretty.
Being able to sign for a club like Bayern Munich is exciting. I've been dreaming about this since I was a kid. Those are the guys that - you know - as a kid, I was looking up to. Watching them on TV, playing with them on FIFA. Getting to be able to meet them and being able to play on the team is just exciting.
I jetset around and play these songs and get to hang with some pretty amazing people, then I go home to a really great farm, though actually it's a disaster area of a farm at the moment. But it's certainly a blast. I wouldn't trade lives with anyone right now.
The most basic organizing principle was pretty straightforward, and is frankly pretty common: the shorter of what are by my lights the two most engaging stories goes first, the longer of the two goes at the end, and everything else goes in the middle.
What I am out to do is make sure that the Met continues to be the most exciting encyclopedic museum in the world. I want to sustain the vibrancy that makes it exciting to work here, that makes it exciting for visitors. The art remains central.
If you're driving home and your kids are playing up in the back seat, I'm pretty sure that's taxing. You're trying to hold your composure, you're trying not to shout at them.
You know that I don't believe that anyone has ever taught anything to anyone. I question that efficacy of teaching. The only thing that I know is that anyone who wants to learn will learn. And maybe a teacher is a facilitator, a person who puts things down and shows people how exciting and wonderful it is and asks them to eat.
I think life goes through a cycle of losing and refinding yourself all the time. Everyone has disappointments all the time, some of them pretty small, some of them pretty big.
Play the gayest tunes in your books, play them loud and keep on playing them, and never mind if a bullet goes through a trombone, or even a trombonist, now and then.
To play at home, sometimes it goes against you in a Libertadores final.
When you have no kids, you can come home, play video games, watch TV. Now I come home and my wife is looking at me like, I want to get out the door. She's been with them all day. So, as soon as you come home, you're a human jungle gym, dancing, doing things with them.
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